Michaela Yearwood-Dan at the Whitworth, Exhibition Opening

Exhibition opening at the Whitworth, Manchester

I photographed the opening of Michaela Yearwood-Dan’s exhibition at the Whitworth Art Gallery in Manchester. The exhibition brings together painting, ceramics and sound across several rooms in the gallery, with works placed so the installation shifts as you move through it.

I photographed the opening as it unfolded across the evening. I photographed the artist, Michaela Yearwood-Dan, in formal portraits within the space, as well as in more informal moments with friends and visitors during the opening. Alongside that, I photographed people moving through the exhibition, stopping to look closely at the work, talking, and circulating between rooms.

Michaela Yearwood-Dan

Michaela Yearwood-Dan works across painting, ceramics, installation and sound. Her paintings are built through layered surfaces of colour, gesture and handwritten text that sits directly within the image rather than as separate annotation. The work often holds fragments of writing within dense painterly surfaces, where image and language sit together.

She is represented by Hauser & Wirth and Marianne Boesky Gallery, and her work is shown internationally across institutional and gallery contexts.

Critical writing on the work

Writing on her practice often focuses on how abstraction and language sit alongside personal and cultural reference. In British Vogue, Charlotte Jansen describes her paintings as combining “confession, nostalgia and identity.”

The same article also notes the range of references within her work, from “queer communal spaces and carnival to Caribbean flora and fauna, to spiritual rituals and, very often, music.”

In exhibition texts for The Practice of Liberation at the Whitworth, her use of language is described as “fragments of diaristic writing alongside adapted and borrowed texts and lyrics,” which are integrated directly into the surface of the paintings.

Photographing the opening

I always enjoy working at the Whitworth. The building has a natural ease for photographing people within it, and the way exhibitions sit within its architecture supports that. There is a steady flow of movement during openings like this, which allows for a mix of portrait work, observation and social documentation without needing to separate those approaches.

It’s a privilege to work in environments where the architecture, the exhibition, and the people all sit together in the same frame. I am currently accepting commissions for exhibition photography, artist portraits and cultural documentation.

Corporate Event Photography in Manchester for CDW

I was recently commissioned by Coolbox Films to deliver a comprehensive corporate photography shoot for CDW at their Manchester offices. The brief combined conference coverage with the creation of a versatile marketing image library for future use.

As a Manchester-based commercial photographer, I regularly work with businesses to produce high-quality imagery for websites, social media, PR and internal communications. This project was a great example of how a single shoot can generate a wide range of visual assets.

Conference Photography in Manchester

A key part of the shoot focused on conference photography, capturing speakers presenting to a live audience within CDW’s office space in Manchester.

My approach to conference photography is observational and documentary-led, allowing me to capture natural moments without interrupting the flow of the event. This results in authentic images that reflect both the professionalism and atmosphere of the day.

I documented keynote speakers, audience engagement and wider environmental shots that establish the scale and setting of the conference. These images are particularly valuable for future event promotion, marketing and press use.

Corporate Photography for Marketing and Brand Content

Alongside the conference, I created a series of corporate lifestyle images designed to build a strong marketing image bank for CDW.

I focused on capturing genuine interactions between staff, showing teams working together in a natural and believable way. This style of corporate photography helps businesses present a more human and approachable identity, which is especially important for tech companies.

The final images are suitable for use across websites, social media campaigns and recruitment materials.

Office and Workspace Photography

I also photographed CDW’s office environment in Manchester, producing a range of clean and well-composed interior images.

This included wider shots of the workspace, as well as more detailed images of desk setups featuring both PC and Apple systems. These types of images are ideal for communicating company culture, workplace quality and technical capability.

Office photography like this is often used across websites, presentations and hiring campaigns to give a clear sense of the working environment.

Corporate Headshots in Manchester

As part of the shoot, I produced a series of professional corporate headshots for CDW staff.

I kept the approach consistent to ensure the images work seamlessly across LinkedIn, company profiles and press releases. My aim with headshots is always to create natural, confident portraits that align with the company’s overall brand.

Creating a Flexible Image Library

The goal of this project was to deliver a comprehensive and flexible set of images that CDW can use across multiple platforms over time.

By combining conference photography, corporate lifestyle imagery, office interiors and headshots, I was able to provide a complete visual resource without the need for multiple shoots.

This approach is particularly effective for large organisations and growing businesses looking to maintain a consistent visual identity.

Corporate Photographer in Manchester

Manchester continues to grow as a hub for technology and business, and I regularly work with companies across the region to create high-quality commercial photography.

If you’re looking for a corporate photographer in Manchester for conference coverage, marketing imagery or headshots, please drop me a line at: david@davidoates.net

Manchester Conference Photography: Innovate to Elevate Awards and Showcase Event Coverage

I recently photographed the Innovate to Elevate Awards and Showcase, organised by the Centre for Digital Innovation and held in Manchester. The event brought together technology companies, researchers, and innovators working across fields such as artificial intelligence, cyber security, digital manufacturing, and sustainable technology.

Events like this highlight how important it is for organisations to document conferences and innovation programmes with clear, professional photography that communicates their work long after the event has finished.

For organisations running conferences, innovation showcases, or industry awards, photography is not simply a record of the event. It is a marketing asset.

High-quality conference photography supports press coverage, social media communication, funding reports, and future event promotion. The images produced during an event often become the primary visual documentation used by organisers, sponsors, and speakers.

The Innovate to Elevate event focused on supporting small and medium-sized businesses working in digital and emerging technologies. The programme included presentations, workshops, networking sessions, and an awards ceremony recognising companies developing innovative solutions.

Many of the discussions at the conference centred around responsible AI, digital transformation, hydrogen technology, cybersecurity, and the role of emerging technologies in supporting innovation across industry.

Events like this allow organisations to present research and innovation outcomes, connect businesses with potential collaborators, and demonstrate the impact of regional technology programmes.

For initiatives funded through innovation programmes, strong visual documentation is particularly important. Photography from these events is frequently used in reports, communications campaigns, and stakeholder updates.

Photographing a technology-focused conference requires attention to the moments that communicate what is actually happening at the event.

Rather than simply photographing audiences, the goal is to capture the work being presented: keynote speakers delivering talks, panel discussions, demonstrations of new technology, and conversations between researchers and businesses.

Conference venues can be challenging environments to photograph. Lighting conditions change constantly, schedules move quickly, and photographers often have limited access to speakers and presenters.

Capturing clear and usable images under these conditions requires experience in anticipating key moments while working efficiently and without interrupting the event itself.

At events like Innovate to Elevate, photographs of speakers, panel discussions, and audience engagement help illustrate how ideas are shared and discussed within the conference setting.

Networking and collaboration are also a central part of innovation events. Images showing attendees discussing projects or reviewing demonstrations help communicate the connections being formed between organisations.

The awards section of the event recognised companies contributing to technological innovation and regional economic development. Photographing award presentations provides organisers and winners with images that can be used for press announcements and marketing.

For organisations hosting conferences, professional photography helps ensure that the event continues to generate value long after it has finished. Images can be used across websites, social media, reports, and promotional material for future events.

If you are organising a conference, awards ceremony, or industry event in Manchester and need professional photography coverage, feel free to get in touch.

Photographing the Adidas Marketing Conference at Factory International, Mancheste

I always look forward to photographing the Adidas Marketing conferences, and this year’s event at Factory International in Manchester was nothing short of spectacular. Working alongside Jules from TOL Events, who consistently delivers remarkable experiences, I was excited to capture every moment of this high-energy gathering.

A Unique Venue for an Immersive Experience

The venue, a giant warehouse transformed into a versatile event space, provided the perfect backdrop for a dynamic and immersive conference. The auditorium was buzzing with activity as presentations, fashion shows, interviews, and even a beatboxing performance unfolded, keeping attendees fully engaged throughout the day. Every corner of the space offered opportunities to capture both staged and candid moments that reflected the energy and creativity of the event.

Capturing the Finale: A Fun Fair Surprise

The finale was particularly memorable. As the curtain lifted, the audience was treated to a full-size fun fair inside the warehouse, complete with rides, attractions, and a surprise appearance by Juergen Klopp. Capturing the excitement, expressions, and unique atmosphere of this unexpected twist made this assignment especially rewarding. The combination of dramatic lighting, large-scale installations, and human interaction created compelling photographic moments that told the story of the event from start to finish.

The Importance of Professional Event Photography

Professional event photography plays a crucial role for brands like Adidas. High-quality images not only document the day but also communicate the brand’s energy, professionalism, and vision. The photographs from this conference can be used across marketing campaigns, social media, press releases, internal communications, and future event promotion. Capturing a multifaceted live event like this requires technical expertise, creative framing, and an instinct for storytelling. Every shot contributes to the overall narrative, highlighting both the audience experience and the brand identity.

Collaborating with TOL Events

Working with TOL Events ensured a seamless flow throughout the day. Jules’ ability to push creative boundaries and orchestrate an engaging experience made my work as a photographer both challenging and exciting. From structured presentations to spontaneous interactions around the venue, there was always something compelling to capture.

Conclusion: Capturing the Energy and Spirit of the Event

Photographing the Adidas Marketing conference at Factory International in Manchester was an exhilarating experience. From the energetic auditorium sessions to the whimsical fun fair finale, every moment offered a unique story. Event photography is not simply about taking pictures—it is about capturing the spirit of the occasion, the energy of the participants, and the essence of the brand.

Adidas Superstar Awards

Adidas Superstar Awards Event Photography at Adidas UK Headquarters

I was commissioned to provide professional event photography for the Adidas Superstar Awards, held at the Adidas UK headquarters. The Superstar Awards are an annual ceremony where Adidas Europe recognises the outstanding contributions of its staff, celebrating achievements across teams and departments. This high-profile corporate awards event brings together employees from across Europe to highlight excellence, commitment, and innovation within the company.

Providing photography for an event of this scale is always rewarding, but working for a globally recognised brand like Adidas adds a unique dimension. Adidas is not just a sportswear company; it is a brand with significant cultural influence. Its impact stretches across sport, music, fashion, and lifestyle, making it one of the most aspirational and respected brands worldwide. Being involved in documenting their events allows me to connect with a company whose reputation for innovation and quality is synonymous with excellence in global culture.

Corporate Event Photography at Adidas

The Superstar Awards combine formal presentations with social and celebratory moments, creating ideal conditions for corporate event photography. Award presentations, stage ceremonies, and staff recognition moments provide opportunities for structured imagery, while candid interactions, networking, and celebration offer a natural, documentary style. These photographs capture both the achievements being celebrated and the energetic atmosphere of the event.

Events at Adidas UK headquarters are particularly well-organised, providing a professional environment with high-quality lighting, staging, and design. This allows for high-quality images that can be used for internal communications, social media campaigns, corporate reporting, and marketing materials. Documenting such an event contributes to Adidas’ broader brand narrative, showing both the recognition of staff and the brand’s commitment to excellence.

The Significance of the Superstar Awards

The Superstar Awards are an important part of Adidas’ corporate culture. They reinforce the company’s commitment to recognising talent and rewarding excellence across Europe. From a photography perspective, capturing these moments is about more than documenting trophies being handed out—it’s about reflecting the company’s values, professionalism, and culture.

Adidas’ influence extends far beyond corporate achievements. The brand has shaped sportswear innovation, influenced music and street culture, and consistently collaborated with designers and artists to push boundaries in fashion and lifestyle. Photographing events for a company with this kind of global recognition allows me to contribute to their visual legacy and document a brand that resonates culturally and professionally.

Why Working with Adidas is Distinctive

For a photographer, working for Adidas is both rewarding and prestigious. The brand carries cultural and professional authority that few companies can match. Their products are of high quality, their events are carefully executed, and their staff embody a dynamic and creative ethos. Being associated with a brand of this stature reflects positively on the work itself, enhancing the perceived value and reach of the photography.

The Superstar Awards event was managed by the professional team at TOL Events, whose coordination ensured the evening ran smoothly. This level of organisation, combined with the high-profile nature of Adidas as a global brand, provides the ideal context for professional, high-impact event photography.

Capturing Staff Recognition and Corporate Culture

Event photography for Adidas is not simply about recording awards; it is about capturing moments that tell the story of the brand, the culture, and the people behind it. From winners’ reactions to team interactions, candid photographs convey energy, engagement, and the celebratory atmosphere of the Superstar Awards. These images form part of Adidas’ visual identity, used in corporate communications, online campaigns, and internal reporting to showcase excellence and achievement.

By documenting the Superstar Awards, I contribute to a record of one of the most influential brands in sport, fashion, and culture. Each photograph not only highlights the award recipients but also reflects the professionalism and prestige that make Adidas a global leader.

Phoenix Healthcare distribution for Fagan Jones

Pharmaceutical Facility Photography in Preston Brook | Automated Drug Distribution and Logistics

I was commissioned to photograph a high-technology pharmaceutical distribution facility in Preston Brook on behalf of the film production company Fagan Jones. The shoot was organised by producer Vicky at Fagan Jones, and I was working alongside the exceptionally talented cinematographer Dan Lightening, who was filming moving footage for the same project.

My role on the day was to create a set of still photographs documenting the scale, infrastructure and day-to-day operations of the site. These images would complement the film production while also providing a visual record of the facility for marketing, communications and corporate use.

Inside a High-Technology Pharmaceutical Logistics Facility

The distribution centre in Preston Brook is an impressive example of the level of automation now present in modern pharmaceutical logistics. Within the facility, miles of robotised and computer-controlled conveyor systems move medicines through a carefully designed network of routes. These automated systems pick, sort and pack drugs before they are dispatched to pharmacies across the UK.

From a photographic perspective the site offered a remarkable environment to document. Long corridors of conveyors run through the building, with automated picking machines selecting products at speed before they are routed through packing stations. Containers glide through the system in a constant flow, guided by computerised logistics software that ensures the correct medication reaches the correct destination.

Facilities like this are essential parts of the national healthcare supply chain. The efficiency and reliability of the logistics systems ensure that pharmacies and healthcare providers receive the medicines they need quickly and accurately. Photographing such environments provides a glimpse into the highly organised infrastructure that underpins pharmaceutical distribution.

Photographing Automation, Robotics and Industrial Systems

Industrial photography in environments like this requires a combination of wide architectural views and detailed documentary images. Wide photographs show the scale of the operation, with long lines of conveyors stretching across large warehouse spaces. These images help communicate the sheer size of the facility and the complexity of the logistics network.

At the same time, close-up photographs reveal the precision of the machinery involved. Sensors, scanners and robotic arms guide containers along the system, while packing stations assemble shipments ready for distribution. Capturing these smaller details helps explain the process visually, showing how individual components of the system work together to form a seamless operation.

Lighting conditions in large industrial buildings can also present interesting challenges. High ceilings, mixed light sources and moving machinery require careful attention to exposure and timing in order to produce clear and dynamic images.

Stills Photography Alongside a Film Production

One of the most enjoyable aspects of the commission was working alongside a film crew. While Dan Lightening focused on capturing cinematic footage of the logistics process, my role was to produce still images that documented the same environment from a complementary perspective.

Working in parallel with a film crew requires a degree of coordination. Film productions often involve lighting setups, rehearsed camera movements and multiple takes, whereas still photography typically requires more mobility in order to capture spontaneous moments. The aim is always to work collaboratively so that both the stills and the moving images can be produced efficiently without interrupting the workflow of the facility itself.

Photographs created during these types of productions are often used in a wide range of contexts, including websites, press releases, annual reports and promotional material. They provide organisations with a visual record of the project that can be used long after the filming itself has been completed.

Documenting the Scale of Modern Logistics

Large automated facilities like the one at Preston Brook are fascinating places to photograph because they combine architecture, engineering and human expertise. Despite the high level of automation, the site is still supported by skilled staff who oversee the systems, monitor quality control and ensure that everything runs smoothly.

Capturing both the human and technological aspects of the environment helps create a more complete narrative of how the facility operates. Images of staff interacting with the machinery, monitoring computer systems or managing packaging operations provide context to the vast automated infrastructure surrounding them.

The visual rhythm of the conveyors, the repetition of containers moving through the system and the geometric lines of the machinery all contribute to a distinctive aesthetic that is unique to industrial and logistics photography.

A Fast-Moving Day on Location

Facilities of this scale are rarely static environments. Conveyors are constantly moving, robots are continuously sorting products, and staff are working across different areas of the building to keep operations running smoothly. For a photographer, this means covering a significant amount of ground in a limited amount of time in order to capture the full story of the site.

By the end of the day it was clear that running shoes should probably be considered essential equipment for photographers working in environments like this. Moving quickly between different areas of the facility, keeping pace with both the film crew and the production schedule, makes for a busy but very rewarding assignment.

Documenting the combination of advanced technology, logistics infrastructure and human expertise that keeps a pharmaceutical distribution centre operating is always fascinating. It also offers a reminder of the enormous systems working behind the scenes to ensure medicines reach pharmacies and patients across the country.

Mark Radcliffe for the Daily Telegraph

Portrait of Mark Radcliffe at Dunham Massey | Daily Telegraph Motoring Feature

While going through old hard drives recently I came across another set of photographs from an earlier editorial commission. The images feature broadcaster and writer Mark Radcliffe, photographed at Dunham Massey Country Park in Cheshire for a motoring feature in the Daily Telegraph.

Mark Radcliffe is exactly as you might expect from his radio persona: knowledgeable about music, quick-witted, a lifelong Manchester City supporter and generally an extremely good person to spend time with on a shoot. I have photographed him a couple of times over the years, and this particular session was for a feature pairing him with a beautifully restored vintage Volkswagen Beetle.

Mark Radcliffe: Broadcaster, Author and Music Journalist

Mark Radcliffe is well known in the UK for his long career in broadcasting, particularly on BBC Radio where he has presented a wide range of music programmes across several decades. Many listeners first encountered him through his partnership with Marc Riley on BBC Radio 1 in the 1990s, before Radcliffe went on to present programmes on BBC Radio 2 and BBC Radio 6 Music.

His work has always been characterised by a deep enthusiasm for music, ranging from alternative rock and indie through to folk and country. In addition to broadcasting, Radcliffe is also a writer and musician, contributing regularly to publications and performing with his folk group The Shirehorses.

Because of this long-standing role in British music broadcasting, he remains a familiar and well-liked figure to audiences across the UK. Photographing personalities like Radcliffe is often straightforward because their ease in conversation translates naturally into relaxed portraits.

Editorial Portrait Photography for Newspapers

This portrait session took place at Dunham Massey Country Park in Cheshire, a location that provided an appropriate rural backdrop for the Daily Telegraph’s motoring feature. Editorial portrait photography for newspapers often involves finding a setting that complements the theme of the article while still allowing the subject’s personality to come through.

The vintage Volkswagen Beetle featured in the piece added a strong visual element to the shoot, combining classic automotive design with a relaxed outdoor location. Working with well-known public figures in this kind of editorial context requires balancing documentary observation with informal portraiture, capturing both the person and the environment in which the story is set.

Photographing Personalities for Editorial Features

Portrait photography for editorial publications often moves quickly, with limited time to establish rapport and create images that work both visually and narratively. When the subject is comfortable and engaged, the process becomes much easier, allowing the photographer to focus on composition, light and atmosphere.

In this case, the combination of a distinctive car, an attractive location in Cheshire and an engaging subject made for an enjoyable shoot and a memorable commission for the Daily Telegraph.

Photography of High Street Task Force

The High Streets Task Force was established to England's high streets and town centres to thrive - providing expert training, guidance data to the people who make them. Local leaders and partnerships are be able to access the latest data and evidence to inform their investment and regeneration decisions.

I was pleased to photograph the latest meeting of experts and representatives from the chosen towns at Manchester Metropolitan University business school. I was also able to photograph some portraits of the university staff at the conclusion of the meeting.

The funding will be piloted first in 20 town centres before being rolled out in 101 areas across the country.

The first 14 towns to take part in the pilot schemes and receive funding from the government will be:

Swinton Town centre – Salford, Thornton Heath – Croydon, Cheadle – Staffordshire Moorlands, Aldershot Town Centre – Rushmoor, Stirchley – Birmingham, Accrington Town Centre – Hyndburn, Kendal – South Lakeland, Friargate – Preston, Coventry City Centre – Coventry, Hartlepool Town Centre – Hartlepool, Ellesmere Port Town Centre – Cheshire West and Chester, West Bromwich Town Centre – Sandwell, Huyton Town Centre – Knowsley, Withington District Centre – Manchester.

“The Task Force will provide the tools they need to get the best advice possible and a dashboard of key local data,” Communities Secretary Robert Jenrick said.

Ministers will also launch a consultation on whether to build an online register of commercial properties, which could make it easier to bring empty shops back into use.

The government has also pledged to cut small retailers’ business rates bills by 50 per cent from April.

If you require photography of your conference, meeting or event please drop me a line at david@davidoates.net or fill out the form on the ‘Contact’ page of this website.

Professional conference photography at Manchester Metropolitan University

Town centre redevelopment planning session in Manchester

Local leaders discussing town centre regeneration strategies

High Streets Task Force meeting participants reviewing data dashboards

Portraits of staff and experts at High Streets Task Force meeting

Portrait of Manchester Metropolitan University staff supporting Task Force

Documentary photography of Helen Knowles 'Trickle Down', Arebyte Gallery, London

Helen Knowle’s immersive four-screen installation ‘Trickle Down’ opened on 23rd January.

I attended the final set-up day to photograph the completed installation ahead of the opening night.

Trickle Down, A New Vertical Sovereignty is a tokenised four-screen video installation and generative soundscape, which explores value systems and wealth disparity. The artwork is composed of auction scenes, performances and choral interludes by different communities such as prisoners, blockchain technology employees, market sellers, and Sotheby’s auction bidders.

The installation commences when a visitor drops a pound coin into a machine designed to expose the mechanisms needed to convert fiat currency into crypto-currency. The sensors, software and electronic components along with a read out of the blockchain ledger are exposed, embedded in a large sheet of glass. Each and every member of the Trickle Down community, who has helped the work come to fruition,  will receive a share of the ETH via a crypto-currency wallet, questioning: can technology be a unifying force to enable more equality in society or does technology only work effectively for those who are educated to navigate it? 

Knowles documented a series of auctions in widely different settings, which reflect the disparities in wealth and financial power individuals in different communities have. These include prisoners at HMP Altcourse in Liverpool, Ethereal Summit attendees, employees at blockchain company ConsenSys in New York, shoppers at Openshaw market in North Manchester and the Russian community in central London buying cultural artefacts at Sotheby’s auction house. Knowles photographed members of these communities during the bidding process, documenting their attire rather than identities.

Images of expensive handbags, jewels, fur and beautifully woven fabrics accompany sounds of rising numbers as cultural artefacts are offered for sale. At the opposite end of the wealth spectrum, bric a brac and basic goods are being bought in bulk at the north Manchester market and prisoners bid with their labour for plants to send to relatives for Christmas, during an auction staged by the artist exploring prison economies. 

Trickle Down, A New Vertical Sovereignty seeks to explore and provoke questions about labour, automation, value in art, decentralised sharing economies and distribution of wealth.

https://www.arebyte.com/trickle-down-a-new-vertical-sovereignty

British Association for Applied Linguistics conference

Conference Photography at the BAAL Conference, Manchester Metropolitan University

A few weeks ago I photographed the latest conference organised by the British Association for Applied Linguistics (BAAL) at Manchester Metropolitan University. The event brought together researchers, academics and students working across the field of applied linguistics, with presentations, panel discussions and networking sessions taking place throughout the day.

Photographing academic conferences like this is always engaging, not only from a visual perspective but also intellectually. As a photographer you are immersed in subjects that you might not otherwise encounter, documenting conversations and presentations while absorbing ideas and research happening around you.

Applied Linguistics and Academic Research

The BAAL conference this year explored a range of themes connected to language learning and linguistic research. Topics included language acquisition, the experience of learning foreign languages, and the ways in which emerging technologies are influencing communication and linguistic change.

Events like these highlight the diversity of contemporary research in applied linguistics. Bringing together scholars from different institutions allows for discussion and collaboration while giving attendees the opportunity to share new insights and approaches to teaching, learning and analysing language.

Photographing Academic Conferences

Conference photography requires a balance between documentary observation and careful timing. The aim is to capture a clear visual record of the event: keynote speakers presenting their research, audience engagement during talks, informal discussions between delegates, and the overall atmosphere of the venue.

Universities and academic organisations often use these images for future conference promotion, websites, social media, and institutional archives. High-quality photographs also help illustrate the energy and collaborative nature of academic gatherings.

Feedback from the Conference Organiser

Freelance photographers often deliver work after an event without hearing much about how the images are received, so it was particularly gratifying to receive this message from the BAAL conference organiser afterwards:

“I’ve just downloaded the photos – absolutely fantastic. I’ve never given a photographer such a haphazard brief and had it nailed so well, so thanks very much. I wouldn’t hesitate to use you again based on these.”

Positive feedback like this is always encouraging, especially when working in fast-moving environments such as conferences where capturing the right moments requires careful observation and responsiveness.

Conference Photographer in Manchester and the UK

If you are organising a conference, academic event or professional gathering and require a photographer in Manchester, the North of England or elsewhere in the UK, please feel free to get in touch via email or through the contact form on the About page of this site.

British Ecological Society Summer School

Event Photography: British Ecological Society Summer School at Malham Tarn

I recently worked with the British Ecological Society (BES) as a documentary photographer during their annual summer school, a week-long residential field experience for students studying sciences at A-level, Scottish Higher, and equivalent qualifications. This year, 31 students from seven schools across the UK gathered at Malham Tarn in the Yorkshire Dales to explore ecology, fieldwork, and environmental science firsthand.

I photographed one day of the programme, providing an overview of the day’s activities while creating marketing and social media material for BES. The focus was on capturing students engaged in fieldwork, discussions, and outdoor learning, showing both the educational content and the immersive nature of the experience.

Documenting Fieldwork and Student Engagement

Even within a single day, there are many moments that illustrate the value of hands-on ecological learning. One highlight was the nature walk led by Dr. Daniel Forman, lecturer in Biosciences at Swansea University. Although I had walked the same route previously as part of the Pennine Way, Dr. Forman’s insights into the local ecology and species interactions offered students—and my photography—a new perspective on the landscape.

Photographs captured students observing habitats, taking notes, and interacting with instructors, emphasizing curiosity, engagement, and teamwork. These images help convey the hands-on learning experience to audiences who could not attend.

The Importance of Professional Photography for Educational Programmes

High-quality photography is essential for educational initiatives like the BES summer school. Images from even a single day:

• Provide marketing material to promote future programmes

• Document student engagement for internal review

• Show the collaboration between students and instructors

• Support social media, newsletters, and press coverage to demonstrate programme impact

Capturing these moments professionally ensures that BES can showcase both the learning outcomes and the immersive, field-based nature of the summer school.

Malham Tarn: A Unique Field Site

Malham Tarn in the Yorkshire Dales offers a diverse ecological setting, including wetlands, limestone landscapes, and surrounding habitats. Photographing students in this environment demonstrates how fieldwork brings theory to life and provides unique learning opportunities. Images from the day highlight the interaction between students, instructors, and the environment, which is central to BES’s mission.

Conclusion

Documenting one day of the British Ecological Society summer school allowed me to capture the energy, curiosity, and engagement of the students while providing BES with professional material for marketing, social media, and archival purposes. Working alongside expert instructors like Dr. Daniel Forman made the day both professionally and personally rewarding.

For more information about the British Ecological Society and their educational initiatives, visit britishecologicalsociety.org.

What Makes a House a Home? for Hawkins/Brown

Hawkins\Brown have been debating this question for over 30 years and on Thursday 18 July 2019, hosted a party at Glass House One, Festival Square, to celebrate another successful year for Hawkins\Brown Studio North and their continued support of and involvement in Manchester International Festival.

The house: “a machine for living in” (Le Corbusier), or a place “to dream” (Gaston Bachelard)?

The panel delved into this rich and varied topic covering everything from co-living and the concept of community, to shifts in social demographics and changing lifestyles, to DfMA, buildability and volumetric housing, to what “home” means personally to each of the panellists. Some suggestions included: “my record collection”, “acoustic insulation (three children under the age of three!),” and “the freedom to DIY”.

Night at the Museum

Event Photography: Manchester Museum Adult Programme | Museum Meets Evening Events

I was commissioned by Manchester Museum to document a recent evening event as part of their Adult Programme. The highlight of the evening was a cyanotype workshop led by Angela Tait and Ian Clegg of ATIC. Cyanotype is a historic photographic printing process, and while the UV tubes used in the workshop are now considered a Health & Safety concern, it’s fascinating to reflect that similar equipment was once widely used in sunbeds.

The Museum Meets programme offers a unique opportunity to experience the museum after hours, combining art, science, music, and performance. These evening events bring together artists, scientists, filmmakers, writers, and musicians to animate the museum collections in immersive one-off performances. My role was to capture the atmosphere of the event, participants engaging with the workshops, and the creative energy of the space.

Capturing Museum Events and Workshops

Event photography in a museum setting requires careful attention to lighting, composition, and storytelling. At the Adult Programme evening, I focused on photographing participants at the cyanotype workshop, interactions with facilitators, and the ambience of Manchester Museum’s galleries. Documentary images like these provide a visual record for the museum, helping to promote future events and showcase the diversity of the programme.

By capturing both candid moments and staged shots, the photography communicates the creativity, engagement, and collaborative spirit of the museum’s Adult Programme. These images support marketing materials, social media content, and editorial coverage, demonstrating how museums can connect audiences with collections through innovative programming.

Conclusion

Photographing Manchester Museum’s Adult Programme highlighted the unique opportunities provided by the Museum Meets evening events. From workshops like cyanotype printing to performances that animate the collections, professional event photography documents these experiences, creating a lasting visual record that promotes engagement and celebrates creativity.

Check out the Museum Meets programme for upcoming events that explore the intersection of art, science, and performance in inspiring ways.