Michaela Yearwood-Dan at the Whitworth, Exhibition Opening

Exhibition opening at the Whitworth, Manchester

I photographed the opening of Michaela Yearwood-Dan’s exhibition at the Whitworth Art Gallery in Manchester. The exhibition brings together painting, ceramics and sound across several rooms in the gallery, with works placed so the installation shifts as you move through it.

I photographed the opening as it unfolded across the evening. I photographed the artist, Michaela Yearwood-Dan, in formal portraits within the space, as well as in more informal moments with friends and visitors during the opening. Alongside that, I photographed people moving through the exhibition, stopping to look closely at the work, talking, and circulating between rooms.

Michaela Yearwood-Dan

Michaela Yearwood-Dan works across painting, ceramics, installation and sound. Her paintings are built through layered surfaces of colour, gesture and handwritten text that sits directly within the image rather than as separate annotation. The work often holds fragments of writing within dense painterly surfaces, where image and language sit together.

She is represented by Hauser & Wirth and Marianne Boesky Gallery, and her work is shown internationally across institutional and gallery contexts.

Critical writing on the work

Writing on her practice often focuses on how abstraction and language sit alongside personal and cultural reference. In British Vogue, Charlotte Jansen describes her paintings as combining “confession, nostalgia and identity.”

The same article also notes the range of references within her work, from “queer communal spaces and carnival to Caribbean flora and fauna, to spiritual rituals and, very often, music.”

In exhibition texts for The Practice of Liberation at the Whitworth, her use of language is described as “fragments of diaristic writing alongside adapted and borrowed texts and lyrics,” which are integrated directly into the surface of the paintings.

Photographing the opening

I always enjoy working at the Whitworth. The building has a natural ease for photographing people within it, and the way exhibitions sit within its architecture supports that. There is a steady flow of movement during openings like this, which allows for a mix of portrait work, observation and social documentation without needing to separate those approaches.

It’s a privilege to work in environments where the architecture, the exhibition, and the people all sit together in the same frame. I am currently accepting commissions for exhibition photography, artist portraits and cultural documentation.

Vinyl Against Apartheid: Event Photography in Manchester at The Carlton Club

A Different Kind of Event to Photograph

As a Manchester event photographer, you get used to a wide range of gigs—but every now and then something comes along that feels a bit more meaningful. Photographing Vinyl Against Apartheid’s Get Funked For Falastine was one of those nights. It wasn’t just about the music or the crowd—it was about what the event stood for.

What Vinyl Against Apartheid Is All About

Vinyl Against Apartheid is a grassroots Manchester initiative built around music, community, and activism. The idea is simple: bring people together through vinyl and DJ culture, and use that energy to raise money and awareness for important causes.

Supporting Medical Aid for Palestinians Through Music

The night was organised to support Medical Aid for Palestinians, with funds raised through ticket sales and donated records. It’s a great example of how local events in Manchester can have a global impact.

The Venue: The Carlton Club

The Carlton Club is one of those venues that really suits this kind of event. It’s got character, a strong sense of community, and it feels properly independent—exactly the right setting for something grassroots and purpose-driven.

Get Funked For Falastine – The Atmosphere

The vibe on the night was spot on. A packed dancefloor, stacks of vinyl, and a crowd that genuinely cared about why they were there. It felt equal parts party and protest—in the best possible way.

Why Nights Like This Matter

Events like this show how powerful local communities can be. It’s not always about huge campaigns—sometimes it’s smaller, independent nights like this that make a real difference, both in fundraising and awareness.

A Nod to Music History

There’s a clear link back to movements like Artists United Against Apartheid, where music was used as a form of protest. Vinyl Against Apartheid feels like a modern continuation of that idea—same spirit, different context.

Photographing the Night as a Manchester Event Photographer

From a photography point of view, this was a really rewarding event to shoot. Nights like this are all about moments—people connecting, getting lost in the music, digging through records. That’s the kind of thing I always look to capture.

Capturing Real Moments, Not Just Posed Shots

I tend to take a documentary approach to event photography, especially in Manchester’s music scene. Rather than staging anything, it’s about blending in and capturing things as they happen—those natural, unfiltered moments that tell the real story.

How Event Photography Helps Events Grow

Good photography doesn’t just document an event—it helps it live on. Images from nights like this can be used for promotion, press, and future fundraising, helping initiatives like Vinyl Against Apartheid reach more people.

Manchester’s Creative Scene and Community Spirit

One of the best things about working as a photographer in Manchester is the people. There’s a strong DIY culture here, and a real willingness to support causes through creativity—whether that’s music, art, or events like this.

Final Thoughts

Vinyl Against Apartheid is a great example of what can happen when music and purpose come together. As a Manchester event photographer, it’s always a privilege to document something that’s not just a good night—but actually trying to do some good too.

EarthSonic Live at Manchester Museum: Documentary Event Photography by David Oates

EarthSonic Live at Manchester Museum

EarthSonic Live at Manchester Museum was a full-day and evening programme of talks, workshops, performances and installations exploring the relationship between music, nature and climate. The event brought together artists, scientists, activists and audiences in a shared space, combining cultural programming with environmental themes.

The event was part of the wider EarthSonic project, which focuses on using sound and music as a way to engage people with biodiversity and climate issues.

The EarthSonic Project and Its Organisers

EarthSonic Live is developed through the EarthSonic initiative, connected to the Manchester-based organisation In Place of War. The project brings together global artists, researchers and communities to explore how sound can communicate environmental change and inspire action.

The programme is supported by organisations including Arts Council England, Wellcome Trust and Ableton, alongside a network of environmental and cultural partners.

A Full Day of Talks, Workshops and Performances

The structure of EarthSonic Live moved across the entire museum, with activity running throughout the day before transitioning into an evening performance programme. Visitors engaged with talks, installations and hands-on workshops exploring sound, ecology and climate.

The scale of the event was significant, with thousands of attendees moving through the museum across the day.

Artists, Speakers and Contributors

The programme included a wide range of contributors working across music, environmental activism and research. Participants included Andy Cato of Groove Armada, broadcaster Nihal Arthanayake, climate activist Tori Tsui, and artist Jason Williams, known as The Cloud Gardener.

Other contributors included Luke Wallace, Brian d’Souza (Auntie Flo), Sam Lee, Werkha, and a range of artists and researchers exploring sound and ecology through performance and discussion.

Installations, Performances and Live Work

Throughout the museum, installations and performances ran continuously. Sam Lee’s nightingale-based sound installation, D-FUSE’s immersive work Nine Earths, and Flow’s live vocal performances created a constantly shifting environment.

The Climate Choir appeared across the building in a series of moving performances, while projects such as biosonification workshops explored how plant data could be translated into sound.

Environmental Organisations and Public Engagement

Alongside the artistic programme, a large number of organisations were present, including the RSPB, The Wildlife Trusts, Music Declares Emergency, Young Wilders and the Woodland Trust.

These groups created a layer of direct public engagement, allowing visitors to connect creative work with practical climate action and environmental advocacy.

The Evening Programme and Live Music

The evening transformed the museum into a live music venue, culminating in a DJ set from Groove Armada. The programme also included a screening of BICEP’s TAKKUUK, Werkha’s Saturama installation and performances from Natural Symphony.

This shift from daytime programme to evening event created a different photographic environment, with changes in lighting, energy and audience behaviour.

Photographing EarthSonic Live as a Documentary Event

My approach to photographing EarthSonic Live was based on documentary principles, working across multiple spaces and responding to what was happening in real time. The event required continuous movement between talks, installations, performances and audience interactions.

Rather than directing or staging images, the focus was on observing and capturing the event as it unfolded.

Working Across Multiple Spaces and Conditions

The event took place across the full museum, from gallery spaces to lecture theatres and large open halls. Each space presented different lighting conditions and ways of working, from quiet talks to fast-moving performances.

This required a flexible approach, adapting quickly while maintaining consistency in the visual narrative.

Capturing Audience Interaction and Atmosphere

A key part of documenting EarthSonic Live was the interaction between people and the event itself. Audiences were not passive, moving between installations, taking part in workshops and engaging directly with performers and organisations.

Photographing these interactions helps communicate the scale and purpose of the event beyond individual performances.

Ongoing Work with Manchester Museum

EarthSonic Live builds on my ongoing work with Manchester Museum, documenting exhibitions, public programmes and live events.

Working regularly with the museum allows for a clear understanding of how events function within the space and how imagery is used across press, marketing and archive.

Documenting Cultural Events Through Photography

Events like EarthSonic Live bring together multiple disciplines, audiences and ideas in a single space. Photography plays a role in recording that complexity, creating a visual record that can be used long after the event itself.

For large-scale public programmes, this kind of documentation supports future programming, communication and wider engagement.

Manchester Event Photography and Documentary Approach

As a Manchester-based photographer specialising in documentary event photography, my work focuses on capturing real moments within live environments.

EarthSonic Live is an example of how this approach can be applied to complex, multi-layered events, documenting not just performances but the wider context in which they take place.

Manchester Conference Photography: Innovate to Elevate Awards and Showcase Event Coverage

I recently photographed the Innovate to Elevate Awards and Showcase, organised by the Centre for Digital Innovation and held in Manchester. The event brought together technology companies, researchers, and innovators working across fields such as artificial intelligence, cyber security, digital manufacturing, and sustainable technology.

Events like this highlight how important it is for organisations to document conferences and innovation programmes with clear, professional photography that communicates their work long after the event has finished.

For organisations running conferences, innovation showcases, or industry awards, photography is not simply a record of the event. It is a marketing asset.

High-quality conference photography supports press coverage, social media communication, funding reports, and future event promotion. The images produced during an event often become the primary visual documentation used by organisers, sponsors, and speakers.

The Innovate to Elevate event focused on supporting small and medium-sized businesses working in digital and emerging technologies. The programme included presentations, workshops, networking sessions, and an awards ceremony recognising companies developing innovative solutions.

Many of the discussions at the conference centred around responsible AI, digital transformation, hydrogen technology, cybersecurity, and the role of emerging technologies in supporting innovation across industry.

Events like this allow organisations to present research and innovation outcomes, connect businesses with potential collaborators, and demonstrate the impact of regional technology programmes.

For initiatives funded through innovation programmes, strong visual documentation is particularly important. Photography from these events is frequently used in reports, communications campaigns, and stakeholder updates.

Photographing a technology-focused conference requires attention to the moments that communicate what is actually happening at the event.

Rather than simply photographing audiences, the goal is to capture the work being presented: keynote speakers delivering talks, panel discussions, demonstrations of new technology, and conversations between researchers and businesses.

Conference venues can be challenging environments to photograph. Lighting conditions change constantly, schedules move quickly, and photographers often have limited access to speakers and presenters.

Capturing clear and usable images under these conditions requires experience in anticipating key moments while working efficiently and without interrupting the event itself.

At events like Innovate to Elevate, photographs of speakers, panel discussions, and audience engagement help illustrate how ideas are shared and discussed within the conference setting.

Networking and collaboration are also a central part of innovation events. Images showing attendees discussing projects or reviewing demonstrations help communicate the connections being formed between organisations.

The awards section of the event recognised companies contributing to technological innovation and regional economic development. Photographing award presentations provides organisers and winners with images that can be used for press announcements and marketing.

For organisations hosting conferences, professional photography helps ensure that the event continues to generate value long after it has finished. Images can be used across websites, social media, reports, and promotional material for future events.

If you are organising a conference, awards ceremony, or industry event in Manchester and need professional photography coverage, feel free to get in touch.

Delaine Le Bas: Un-Fair-Ground Exhibition Photography at The Whitworth

At the opening of Un-Fair-Ground at The Whitworth in Manchester, artist Delaine Le Bas transformed the gallery into an immersive environment using layered textiles, painted slogans, and fairground imagery. The exhibition is designed to be experienced as a single, cohesive space rather than a series of separate works, inviting visitors to engage with themes of visibility, representation, and resistance.

The Un-Fair-Ground Mural

The centerpiece of the exhibition is the large-scale mural Un-Fair-Ground, originally created for Glastonbury Festival and reworked for The Whitworth. Its bold graphic style and dramatic lettering create a sense of spectacle while provoking reflection on social and cultural visibility. Photography captured the scale and intricacy of the mural, emphasizing how the work dominates the gallery space and anchors the exhibition’s narrative.

Witch House and Domestic Resistance

Another significant work, Witch House, incorporates wallpaper and stitched phrases to reframe domestic space as a site of resistance. Photography highlights the layered textures, hand-crafted details, and the way Le Bas uses domestic motifs to explore complex social commentary.

Performance and Shared Experience

During the opening evening, performance elements brought the exhibition to life, shifting the atmosphere and drawing audiences together. Photography captured these moments of interaction, reinforcing the exhibition’s focus on shared experience and the dynamic relationship between art, space, and visitor engagement.

Exhibition Details

Delaine Le Bas: Un-Fair-Ground is on display at The Whitworth, Manchester until 31 May. Visitors can experience a thought-provoking combination of textile art, murals, and performance that challenges traditional notions of visibility, community, and representation.

Photographing the Manchester Artist Teacher Collective

Manchester Artist Teacher Collective (MATC) is a group of artist teachers from secondary schools and colleges across Manchester, and gallery educators from Manchester Art Gallery, the Whitworth and HOME. They foster collaboration between art educators, local artists, studios and gallery spaces. Through this collaboration, they seek to develop and share artistic and educational expertise, enabling teachers to engage with contemporary practices and sustained personal making. By centring on the artist teachers’ own creative development, the collective highlights the local cultural ecology and future opportunities within Manchester for the young people they teach. 

Documenting an Art Fund Event Across Liverpool’s Museums and Galleries

Art Fund is the UK’s national charity supporting museums and galleries. For over 120 years grants have helped them to acquire, commission and display great works of art, fund curatorial training and research, and reach new communities and audiences across the UK. Their Art Partners are a group of patrons who share our passion for museums and galleries, providing annual support that makes our work possible. I was asked to document a patron’s event in Liverpool that gave exclusive insights into their work and the museums they support. The tour took us to the Walker Art Gallery, Liverpool Library, FACT and the Bluecoat and was led by Liverpool Biennial CEO Sam Lackey, who I was delighted to meet again having known her for her great work in her previous role as Head of Collections and Exhibitions at the Whitworth in Manchester.

Documentary photography for Wild in Art - We Live Here Eccles

In the summer of 2023, visitors to Eccles discovered a vibrant Wild in Art trail celebrating the unique character and heritage of Eccles, which took over windows, walls and spaces in the town centre. The public art installation featured street art, paintings, murals, photography and pop up studios – all created by local artists and Eccles residents.

24 installations of artwork decorated the town and all referenced the different wildlife and people that live, study and work in Eccles.

The event was part of a huge regeneration programme from Salford City Council. Wild in Art were commissioned to work with local stakeholders to deliver a showcase of artwork, from striking installations to magnificent murals, powerful photography and stunning paintings, injecting life and colour into Eccles town centre.

Locals and visitors could pick up a trail map at Eccles Library, and various shops and cafes in Eccles Shopping Centre to explore the trail.

I was fortunate enough to document the trail and my photographs illustrate the website: https://wildinart.co.uk/events/we-live-here-eccles/

This year after the announcement of a major regeneration programme in the town, Wild in Art announced a new piece of work, a mosaic co-produced by Lauren Mullarkey and members of the local community who would be telling of their experiences of the local area and providing material from which the mosaic would be made. I visited to meet and take portraits of the contributors.

Photographing the Adidas Marketing Conference at Factory International, Mancheste

I always look forward to photographing the Adidas Marketing conferences, and this year’s event at Factory International in Manchester was nothing short of spectacular. Working alongside Jules from TOL Events, who consistently delivers remarkable experiences, I was excited to capture every moment of this high-energy gathering.

A Unique Venue for an Immersive Experience

The venue, a giant warehouse transformed into a versatile event space, provided the perfect backdrop for a dynamic and immersive conference. The auditorium was buzzing with activity as presentations, fashion shows, interviews, and even a beatboxing performance unfolded, keeping attendees fully engaged throughout the day. Every corner of the space offered opportunities to capture both staged and candid moments that reflected the energy and creativity of the event.

Capturing the Finale: A Fun Fair Surprise

The finale was particularly memorable. As the curtain lifted, the audience was treated to a full-size fun fair inside the warehouse, complete with rides, attractions, and a surprise appearance by Juergen Klopp. Capturing the excitement, expressions, and unique atmosphere of this unexpected twist made this assignment especially rewarding. The combination of dramatic lighting, large-scale installations, and human interaction created compelling photographic moments that told the story of the event from start to finish.

The Importance of Professional Event Photography

Professional event photography plays a crucial role for brands like Adidas. High-quality images not only document the day but also communicate the brand’s energy, professionalism, and vision. The photographs from this conference can be used across marketing campaigns, social media, press releases, internal communications, and future event promotion. Capturing a multifaceted live event like this requires technical expertise, creative framing, and an instinct for storytelling. Every shot contributes to the overall narrative, highlighting both the audience experience and the brand identity.

Collaborating with TOL Events

Working with TOL Events ensured a seamless flow throughout the day. Jules’ ability to push creative boundaries and orchestrate an engaging experience made my work as a photographer both challenging and exciting. From structured presentations to spontaneous interactions around the venue, there was always something compelling to capture.

Conclusion: Capturing the Energy and Spirit of the Event

Photographing the Adidas Marketing conference at Factory International in Manchester was an exhilarating experience. From the energetic auditorium sessions to the whimsical fun fair finale, every moment offered a unique story. Event photography is not simply about taking pictures—it is about capturing the spirit of the occasion, the energy of the participants, and the essence of the brand.

Photographing Manchester Museum for Art Fund

The newly remodelled Manchester Museum has officially opened its doors, and as a professional photographer, I had the pleasure of capturing the energy, excitement, and intricate details of this incredible space. Commissioned by Art Fund, I spent several hours documenting the museum’s refreshed galleries and exhibits, and I left inspired by both the design and the crowds.

Capturing the Energy of a Busy Museum

Visiting a museum packed with enthusiastic guests is a dream for any photographer. The Manchester Museum reopening was buzzing with visitors, families, and art enthusiasts, providing a perfect opportunity to photograph candid moments and dynamic interactions. The lighting, architectural renovations, and open gallery spaces made it ideal for both wide-angle shots and detailed close-ups.

Photography Tips Inside the Manchester Museum

Museums present unique challenges and opportunities for photography. During my visit to the Manchester Museum, I focused on using natural and ambient lighting, which the galleries provide in abundance, creating excellent conditions for photography without harsh shadows. I also concentrated on capturing intricate details and textures in the artifacts and architectural elements, which are ideal for close-up photography. Including people interacting with exhibits added life and scale to the images, helping viewers experience the museum vicariously through my photographs.

Highlights from the Remodeled Galleries

The Manchester Museum renovation has made the galleries more immersive and visitor-friendly. From interactive displays to carefully curated collections, every corner offers an opportunity for engaging photography. During my visit, I focused on the central atrium and entrance areas to capture the architectural makeover, explored the gallery layouts to show how visitors engage with exhibits naturally, and documented the diverse collections of natural history specimens, cultural artifacts, and art pieces.

Looking Forward: The Egyptian Mummies Exhibition

One of the most anticipated upcoming attractions is the Egyptian Mummies exhibition. I plan to return next week to photograph this fascinating display, which promises not only historical insight but also visually compelling opportunities for photography enthusiasts. Capturing the textures, lighting, and intricate details of the mummies will be a highlight for my portfolio and an engaging story for museum visitors.

Why Visit the Manchester Museum

Whether you’re a photographer, history enthusiast, or family looking for an educational day out, the remodelled Manchester Museum offers a rich experience. The updated galleries, dynamic exhibitions, and beautifully curated spaces make it a must-see destination in Manchester. For photographers, this museum is particularly rewarding: the combination of architectural renovations, diverse exhibits, and lively visitor interactions makes it an ideal place to practice composition, lighting, and storytelling through images.

Event Photography - Adidas and Versus at Manchester United

VERSUS is the platform championing the future of football and its rising influence on new music and culture. Adidas is well, Adidas. On commission for the wonderful TO Events, I photographed the launch of a collaboration between the two brands on the occasion of a games between Manchester United and Aston Villa’s women’s teams.

Photographing for Art Fund at the Bronte Museum

Art Fund is a UK-based charity that aims to help museums and galleries to acquire and display works of art. The charity was established in 1903 and has since supported hundreds of museums and galleries across the country, helping to enhance their collections and make art more accessible to the public.

One of the most notable initiatives of Art Fund is the National Art Pass, which provides free entry or discounted admission to over 240 museums and galleries across the UK, as well as other benefits such as exclusive events and discounts at art-related shops and restaurants.

Meet Me at the Museum is a podcast series published by Art Fund where famous faces take their best mate, their mum, their neighbour (whoever they want) for an afternoon at a favourite museum or gallery. As well as getting a peek behind the scenes, seeing what makes a museum tick, it's also the starting point for some great conversations about life, the universe and everything. As well as a chance to eat lots of cake in the cafe.

During the production of this episode, I photographed writer Amy Liptrot, author of The Outrun and The Instant, as she took her friend, poet Zaffar Kunial, to the Brontë Parsonage Museum in Haworth, West Yorkshire. Together they explore the former home of the Brontë sisters – Charlotte, Emily and Anne – and see where some of their most famous novels were written. From the dining table where the sisters shared their work, to early reviews of Wuthering Heights, intimate objects and artefacts prompt conversations about Amy and Zaffar’s own inspirations as writers. And, after exploring the house and museum, they head out into the landscape and discover a poem in the wild.

The Bronte Museum, located in the picturesque village of Haworth in West Yorkshire, England, is a must-visit destination for literature lovers and fans of the Bronte sisters. The museum is dedicated to the lives and works of the Bronte family, particularly the three sisters - Charlotte, Emily, and Anne - who wrote some of the most celebrated novels of the 19th century, including "Jane Eyre", "Wuthering Heights", and "The Tenant of Wildfell Hall".

The museum is housed in the former home of the Bronte family, which has been carefully preserved to provide visitors with an authentic glimpse into the lives of the famous siblings. The museum contains an extensive collection of Bronte memorabilia, including original manuscripts, letters, personal belongings, and artworks. Visitors can explore the various rooms of the museum, including the dining room, drawing room, and bedrooms, which have been furnished to recreate the atmosphere of the Bronte family home.

Manchester Met SODA Modal gallery opening

The Modal Gallery at the Manchester School of Digital Arts (SODA) is a unique space that has become a hub of creativity, innovation, and collaboration. Through its immersive exhibitions, cutting-edge technology, and interactive displays, the gallery has had a significant impact on the SODA community, helping to foster a sense of community and connection among students, faculty members, and industry professionals.

One of the key features of the Modal Gallery is its cutting-edge technology. The gallery is equipped with the latest digital tools and equipment, allowing students and faculty members to experiment with new forms of digital art and explore the boundaries of creativity. From virtual reality experiences to interactive installations, the gallery provides a platform for students to push the limits of what is possible in the digital arts.

In addition to its technology, the Modal Gallery is also known for its immersive exhibitions. The gallery's exhibitions are designed to engage visitors and create a sense of connection with the artwork. Through its immersive installations, the gallery invites visitors to explore new worlds and perspectives, challenging them to think differently about the digital arts.

Another key feature of the Modal Gallery is its role in promoting SODA to the wider community. The gallery has become a key component of SODA's marketing and outreach efforts, showcasing the school's state-of-the-art facilities, cutting-edge curriculum, and commitment to innovation. By attracting visitors from across the region and beyond, the gallery has helped to position SODA as a leader in the digital arts and a key contributor to the creative economy.

The Modal Gallery has also had a significant impact on SODA's students. Through its exhibitions, the gallery provides students with a space to showcase their work and receive feedback and guidance from their peers and faculty members. The gallery has helped to foster a sense of community and collaboration among students, creating a supportive and dynamic environment that encourages experimentation and growth.

Furthermore, the Modal Gallery has helped to connect SODA's students with industry professionals and potential employers. Through partnerships with leading companies such as BBC, Channel 4, and Google, the gallery provides students with valuable networking opportunities that can help them launch their careers in the digital arts. The gallery has become a bridge between academia and industry, providing students with a clear path to success in the digital arts.

It’s been a pleasure to attend the exhibitions and photograph the events here over the past year, I always look forward to opening nights.

School of Digital Arts (SODA) Opening at Manchester Metropolitan University – Event Photography

The opening of the School of Digital Arts (SODA) at Manchester Metropolitan University marked an important moment for creative education in the UK and for the cultural life of Manchester itself. Designed as a centre for innovation in digital storytelling, film, animation, photography, sound, gaming and immersive media, the new SODA building represents a major investment in the future of the creative industries.

Events like this are significant not only for the institutions involved but also for the wider cultural landscape of the city. Documenting them through professional photography ensures that these moments are preserved as part of Manchester’s evolving creative history.

A Major Milestone for Creative Education in Manchester

The new School of Digital Arts at Manchester Metropolitan University was created to bring together students, researchers and industry professionals working across digital and creative disciplines. Located in the centre of Manchester, the building provides purpose-built studios, production spaces and collaborative environments designed to support the next generation of filmmakers, photographers, designers and digital artists.

The official launch event attracted an impressive range of guests from politics, film and music. Among those attending were Peter Mandelson, Andy Burnham, Oscar-winning director Danny Boyle, and Manchester musician and composer Barry Adamson.

Their presence highlighted the importance of the project and the role that institutions like SODA will play in shaping the future of digital creativity in the UK.

The Importance of Photographing Cultural and Institutional Events

Photography plays a vital role in documenting events that mark significant moments for universities, cultural organisations and cities. While speeches and announcements define the official narrative of an event, photography captures the atmosphere, the people and the interactions that bring those moments to life.

Images from the opening of a new building or institution quickly become part of an organisation’s visual archive. Years later they are often used in publications, exhibitions, press features and anniversary retrospectives. A well-observed photograph can communicate the significance of an occasion instantly, providing a visual record that will remain relevant long after the event itself has passed.

Professional event photography also allows institutions to communicate their identity and ambitions. In the case of the SODA launch, the photographs reflect the collaboration between academia and the creative industries, the architectural identity of the building, and the sense of energy surrounding the new school.

These visual narratives help organisations present themselves to prospective students, partners and the media.

Capturing the Atmosphere of the SODA Launch

The opening event for the School of Digital Arts was filled with moments that reflected both the prestige of the occasion and the creative spirit of the institution. Guests explored the building’s studios and digital facilities, viewed demonstrations of student work and spoke about the future of creative education in Manchester.

From a photographic perspective, events like this require careful observation and an ability to anticipate moments before they happen. Conversations between prominent figures, reactions from audiences during speeches and informal interactions between guests all contribute to the visual story of the event.

Alongside documentary images of people, the architecture of the SODA building itself also becomes an important subject. The spaces in which creative work will take place in the future are part of the narrative of the launch, providing context for the institution’s ambitions.

Manchester’s Role in the Creative Industries

The opening of the School of Digital Arts reinforces Manchester’s reputation as one of the UK’s most important creative cities. For decades the city has been a centre for music, film, television and digital media, producing artists, filmmakers and innovators whose work has had international impact.

Institutions like SODA strengthen that ecosystem by providing students with direct connections to industry and access to the technology shaping the future of storytelling. The launch of the school represents another step in Manchester’s continuing evolution as a hub for digital creativity.

Photographing events connected to these developments contributes to the broader visual history of the city. Images captured at these moments become part of the record of how Manchester continues to reinvent itself as a centre for culture, media and innovation.

The Role of the Event Photographer

Photographing high-profile events requires a combination of documentary awareness, portraiture skills and editorial judgement. The photographer must be able to move through the event discreetly while remaining alert to moments that reveal the significance of the occasion.

The most effective images often emerge from small details: a conversation between guests, the expression of an audience listening to a speech, or a quiet moment that reflects the atmosphere of the room. These photographs collectively build a visual narrative that goes beyond simple documentation.

For universities, cultural organisations and public institutions, this kind of visual storytelling is essential. Photographs from launch events, conferences and cultural gatherings are used across websites, publications, press releases and long-term promotional campaigns.

Preserving the Beginning of a New Chapter

The opening of the School of Digital Arts at Manchester Metropolitan University marks the beginning of a new chapter for creative education in the city. It brings together technology, storytelling and artistic practice in a way that reflects the direction of modern media industries.

Photographs from the event help preserve that moment. They record the people who were present, the atmosphere of the launch and the sense of anticipation surrounding the new institution.

In years to come, these images will remain as part of the visual history of both the university and the city of Manchester, documenting the moment when the School of Digital Arts opened its doors and began shaping the next generation of creative talent.

Conference Photography for The Invisible Orthodontist

It was a real pleasure to photograph The Invisible Orthodontist’s conference in Murcia, Spain earlier in the year. Fantastic weather and accommodation, even time for a quick dip in the pool between sessions and great to see everyone letting their hair down at the conference dinner.

I’m looking forward to the next one!

Adidas Superstar Awards

Adidas Superstar Awards Event Photography at Adidas UK Headquarters

I was commissioned to provide professional event photography for the Adidas Superstar Awards, held at the Adidas UK headquarters. The Superstar Awards are an annual ceremony where Adidas Europe recognises the outstanding contributions of its staff, celebrating achievements across teams and departments. This high-profile corporate awards event brings together employees from across Europe to highlight excellence, commitment, and innovation within the company.

Providing photography for an event of this scale is always rewarding, but working for a globally recognised brand like Adidas adds a unique dimension. Adidas is not just a sportswear company; it is a brand with significant cultural influence. Its impact stretches across sport, music, fashion, and lifestyle, making it one of the most aspirational and respected brands worldwide. Being involved in documenting their events allows me to connect with a company whose reputation for innovation and quality is synonymous with excellence in global culture.

Corporate Event Photography at Adidas

The Superstar Awards combine formal presentations with social and celebratory moments, creating ideal conditions for corporate event photography. Award presentations, stage ceremonies, and staff recognition moments provide opportunities for structured imagery, while candid interactions, networking, and celebration offer a natural, documentary style. These photographs capture both the achievements being celebrated and the energetic atmosphere of the event.

Events at Adidas UK headquarters are particularly well-organised, providing a professional environment with high-quality lighting, staging, and design. This allows for high-quality images that can be used for internal communications, social media campaigns, corporate reporting, and marketing materials. Documenting such an event contributes to Adidas’ broader brand narrative, showing both the recognition of staff and the brand’s commitment to excellence.

The Significance of the Superstar Awards

The Superstar Awards are an important part of Adidas’ corporate culture. They reinforce the company’s commitment to recognising talent and rewarding excellence across Europe. From a photography perspective, capturing these moments is about more than documenting trophies being handed out—it’s about reflecting the company’s values, professionalism, and culture.

Adidas’ influence extends far beyond corporate achievements. The brand has shaped sportswear innovation, influenced music and street culture, and consistently collaborated with designers and artists to push boundaries in fashion and lifestyle. Photographing events for a company with this kind of global recognition allows me to contribute to their visual legacy and document a brand that resonates culturally and professionally.

Why Working with Adidas is Distinctive

For a photographer, working for Adidas is both rewarding and prestigious. The brand carries cultural and professional authority that few companies can match. Their products are of high quality, their events are carefully executed, and their staff embody a dynamic and creative ethos. Being associated with a brand of this stature reflects positively on the work itself, enhancing the perceived value and reach of the photography.

The Superstar Awards event was managed by the professional team at TOL Events, whose coordination ensured the evening ran smoothly. This level of organisation, combined with the high-profile nature of Adidas as a global brand, provides the ideal context for professional, high-impact event photography.

Capturing Staff Recognition and Corporate Culture

Event photography for Adidas is not simply about recording awards; it is about capturing moments that tell the story of the brand, the culture, and the people behind it. From winners’ reactions to team interactions, candid photographs convey energy, engagement, and the celebratory atmosphere of the Superstar Awards. These images form part of Adidas’ visual identity, used in corporate communications, online campaigns, and internal reporting to showcase excellence and achievement.

By documenting the Superstar Awards, I contribute to a record of one of the most influential brands in sport, fashion, and culture. Each photograph not only highlights the award recipients but also reflects the professionalism and prestige that make Adidas a global leader.

Cloud Studies by Forensic Architecture

Event Photography: Cloud Studies by Forensic Architecture | Whitworth Art Gallery, Manchester

I recently photographed the opening of Cloud Studies by Forensic Architecture, currently on display at Whitworth Art Gallery as part of the Manchester International Festival. The exhibition presents a powerful investigation into the politics, dynamics, and consequences of toxic clouds, from chemical dispersals to herbicides and smoke, highlighting their impact on communities, environments, and urban spaces.

Cloud Studies was originally created for the exhibition Critical Zones: Observatories for Earthly Politics at ZKM Centre for Art and Media in Karlsruhe. Alongside the physical installation, the project is also accessible via the virtual exhibition platform, offering multiple perspectives on how clouds, both literal and metaphorical, shape and are shaped by social and political forces.

Photographing the Exhibition Opening

Documenting exhibitions like Cloud Studies requires attention to detail, context, and the conceptual framing of the work. At the opening, I captured the interaction between visitors and the installation, as well as moments from the curatorial introduction and discussions with the artists. Photography in this context provides a professional record for press, marketing, and digital archives, while also helping audiences engage with the critical and often challenging themes of the work.

In exhibitions addressing complex and politically charged subject matter, event photography plays a key role in communicating the atmosphere of the exhibition, the scale and detail of the works, and the audience’s engagement with them.

Understanding Cloud Studies

Forensic Architecture’s Cloud Studies investigates the mobilization of toxic clouds across scales, durations, and geographies. Tear gas is used to disperse crowds in protests, white phosphorus and chlorine gas are deployed in cities to spread terror, herbicides are sprayed from airplanes to displace populations, and fires are set to erase forests for industrial plantations. These clouds, deployed by state and corporate powers, demonstrate the entanglement of environmental and political violence.

The project challenges traditional forms of analysis by highlighting that “every contact leaves a trace.” Clouds are not only transformations of air, smoke, and chemicals—they are dynamic systems governed by complex, nonlinear, and multi-causal processes. Forensic Architecture traces these invisible dynamics, making the intangible visible and measurable.

Photography as a Record of Critical and Experimental Art

Professional photography is essential for exhibitions that operate at the intersection of art, research, and activism. In Cloud Studies, capturing the installation, its visual elements, and audience interaction helps convey the conceptual depth and urgency of the work. Photography preserves both the formal qualities of the artwork and the experiential response of the visitors, providing a lasting record for the artists, the gallery, and future audiences.

Photographs of installations like Cloud Studies also help bridge physical and virtual experiences, allowing online audiences to understand the spatial, visual, and political dimensions of the work.

The Epistemological Dimension of Clouds

Historically, clouds have posed challenges for painters and artists, often moving faster than artistic techniques could capture. Today, toxic and politically charged clouds operate on both physical and epistemological levels. Climate denial, chemical attacks, and industrial pollution create uncertainty and confusion, requiring new ways to observe, document, and respond.

Cloud Studies positions the viewer in relation to these dynamics, and through photography, we can translate the abstract and diffuse nature of clouds into a visible, comprehensible form. Images document how audiences experience the installation and how the exhibition communicates critical insights about environmental and political crises.

Conclusion

Photographing Cloud Studies at Whitworth Art Gallery allowed me to capture the intersections of art, research, and social investigation central to Forensic Architecture’s work. These images provide a professional record of an exhibition that interrogates how clouds—chemical, environmental, and epistemological—shape our world, and how art can make these forces visible, tangible, and actionable.

50 Windows of Creativity. An assignment for Wild in Art

Seashell Trust & Lauren Mullarkey Location: The Atrium, Library Walk (mixed media installation)

This autumn, Manchester is hosting 50 Windows of Creativity, a showcase of the work of artists and makers displayed in a series of windows, venues, businesses and spaces across the city centre.

The displays feature multiple art forms from fine art and photography to ceramics, crafts, mosaics and murals curated by well-known and emerging artists and collectives – all with a connection to Greater Manchester.

Artists and makers taking part include: Wellcome Trust prize winner Benji Reid, Manchester born mixed media landscape artist Sarah Connell and contemporary creative studio Lazerian.

All pieces on display will be available to buy directly from the artist or maker, giving a much needed boost to the city’s creative community.

The project culminates with an auction which will see a selection of pieces auctioned with proceeds going to their artists and makers, and to The Lord Mayor of Manchester Charity Appeal Trust – We Love MCR Charity  which aims to help improve the lives and life chances of Manchester people.

It was a pleasure to work again with the wonderful Wild in Art after documenting their wildly successful 2018 Bee in the City project.

Find out more about Wild in Art at www.wildinart.co.uk

Phil Constable Location: Mackie Mayor, Coop Street

LeiMai LeMaow Location: On Yard and Coop, Hare St

Caroline Dowsett Location: Hatch, Unit 25, Oxford Road

MHHA - Manchester Hip Hop Archive Location: Royal Northern College of Music

Manchester Digital Music Archive Location: Royal Northern College of Music

Phil Constable Location: Mackie Mayor, Coop Street

LeiMai LeMaow Location: On Yard and Coop, Hare St

Hammo Location: Ellis Brigham Mountain Sports, Duke St

Atelier Bebop Location: Selfridges Exchange Square

Hammo Location: Ellis Brigham Mountain Sports, Duke St

LeiMai LeMaow Location: On Yard and Coop, Hare St

LeiMai LeMaow Location: On Yard and Coop, Hare St

Hammo Location: Ellis Brigham Mountain Sports, Duke St

Caroline Dowsett Location: Hatch, Unit 25, Oxford Road

Akse Location: Next to BAB NQ, Little Lever St

LeiMai LeMaow Location: On Yard and Coop, Hare St

LeiMai LeMaow Location: On Yard and Coop, Hare St

Tim Denton Location: Chapel Wharf, opposite Lowry Hotel

Benji Reid Location: National Football Museum

Phil Constable Location: Mackie Mayor, Coop Street

Hammo Location: Ellis Brigham Mountain Sports, Duke St

Caroline Dowsett Location: Hatch, Unit 25, Oxford Road

Ric Facchin Location: ChriSalon, Princess St

LeiMai LeMaow Location: On Yard and Coop, Hare St

Photography of High Street Task Force

The High Streets Task Force was established to England's high streets and town centres to thrive - providing expert training, guidance data to the people who make them. Local leaders and partnerships are be able to access the latest data and evidence to inform their investment and regeneration decisions.

I was pleased to photograph the latest meeting of experts and representatives from the chosen towns at Manchester Metropolitan University business school. I was also able to photograph some portraits of the university staff at the conclusion of the meeting.

The funding will be piloted first in 20 town centres before being rolled out in 101 areas across the country.

The first 14 towns to take part in the pilot schemes and receive funding from the government will be:

Swinton Town centre – Salford, Thornton Heath – Croydon, Cheadle – Staffordshire Moorlands, Aldershot Town Centre – Rushmoor, Stirchley – Birmingham, Accrington Town Centre – Hyndburn, Kendal – South Lakeland, Friargate – Preston, Coventry City Centre – Coventry, Hartlepool Town Centre – Hartlepool, Ellesmere Port Town Centre – Cheshire West and Chester, West Bromwich Town Centre – Sandwell, Huyton Town Centre – Knowsley, Withington District Centre – Manchester.

“The Task Force will provide the tools they need to get the best advice possible and a dashboard of key local data,” Communities Secretary Robert Jenrick said.

Ministers will also launch a consultation on whether to build an online register of commercial properties, which could make it easier to bring empty shops back into use.

The government has also pledged to cut small retailers’ business rates bills by 50 per cent from April.

If you require photography of your conference, meeting or event please drop me a line at david@davidoates.net or fill out the form on the ‘Contact’ page of this website.

Professional conference photography at Manchester Metropolitan University

Town centre redevelopment planning session in Manchester

Local leaders discussing town centre regeneration strategies

High Streets Task Force meeting participants reviewing data dashboards

Portraits of staff and experts at High Streets Task Force meeting

Portrait of Manchester Metropolitan University staff supporting Task Force

Documentary photography of Helen Knowles 'Trickle Down', Arebyte Gallery, London

Helen Knowle’s immersive four-screen installation ‘Trickle Down’ opened on 23rd January.

I attended the final set-up day to photograph the completed installation ahead of the opening night.

Trickle Down, A New Vertical Sovereignty is a tokenised four-screen video installation and generative soundscape, which explores value systems and wealth disparity. The artwork is composed of auction scenes, performances and choral interludes by different communities such as prisoners, blockchain technology employees, market sellers, and Sotheby’s auction bidders.

The installation commences when a visitor drops a pound coin into a machine designed to expose the mechanisms needed to convert fiat currency into crypto-currency. The sensors, software and electronic components along with a read out of the blockchain ledger are exposed, embedded in a large sheet of glass. Each and every member of the Trickle Down community, who has helped the work come to fruition,  will receive a share of the ETH via a crypto-currency wallet, questioning: can technology be a unifying force to enable more equality in society or does technology only work effectively for those who are educated to navigate it? 

Knowles documented a series of auctions in widely different settings, which reflect the disparities in wealth and financial power individuals in different communities have. These include prisoners at HMP Altcourse in Liverpool, Ethereal Summit attendees, employees at blockchain company ConsenSys in New York, shoppers at Openshaw market in North Manchester and the Russian community in central London buying cultural artefacts at Sotheby’s auction house. Knowles photographed members of these communities during the bidding process, documenting their attire rather than identities.

Images of expensive handbags, jewels, fur and beautifully woven fabrics accompany sounds of rising numbers as cultural artefacts are offered for sale. At the opposite end of the wealth spectrum, bric a brac and basic goods are being bought in bulk at the north Manchester market and prisoners bid with their labour for plants to send to relatives for Christmas, during an auction staged by the artist exploring prison economies. 

Trickle Down, A New Vertical Sovereignty seeks to explore and provoke questions about labour, automation, value in art, decentralised sharing economies and distribution of wealth.

https://www.arebyte.com/trickle-down-a-new-vertical-sovereignty