At the opening of Un-Fair-Ground at The Whitworth in Manchester, artist Delaine Le Bas transformed the gallery into an immersive environment using layered textiles, painted slogans, and fairground imagery. The exhibition is designed to be experienced as a single, cohesive space rather than a series of separate works, inviting visitors to engage with themes of visibility, representation, and resistance.
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Documenting an Art Fund Event Across Liverpool’s Museums and Galleries
Art Fund is the UK’s national charity supporting museums and galleries. For over 120 years grants have helped them to acquire, commission and display great works of art, fund curatorial training and research, and reach new communities and audiences across the UK. Their Art Partners are a group of patrons who share our passion for museums and galleries, providing annual support that makes our work possible. I was asked to document a patron’s event in Liverpool that gave exclusive insights into their work and the museums they support.
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Photographing the 2024 Fine Art Masters Show at the Reopened Holden Gallery
The Holden Gallery in Manchester has now reopened following a major two-year refurbishment of the historic Grosvenor building, revitalizing its exhibition spaces and offering a fresh, contemporary setting for art. I was recently back at the gallery to photograph the 2024 Fine Art Masters Show, an annual highlight that showcases the incredible talent of emerging artists from across the UK.
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Photographing Manchester Museum for Art Fund
The newly remodelled Manchester Museum has officially opened its doors, and as a professional photographer, I had the pleasure of capturing the energy, excitement, and intricate details of this incredible space. Commissioned by Art Fund, I spent several hours documenting the museum’s refreshed galleries and exhibits, and I left inspired by both the design and the crowds.
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Suzanne Lacy at Whitworth Art Gallery
Suzanne Lacy
What kind of city?
A manual for social change
The Whitworth presents the first major UK presentation of multiple works of US artist Suzanne Lacy, a pioneer of social practice and community organising for almost five decades. In the wake of the Coronavirus pandemic, What kind of city? has been conceived with the artist as a project that is more than an exhibition, one that takes key works with relevance to our current context and uses them to convene people in order to start new initiatives that will actively help rebuild our city. Working around fundamental themes such as youth agency, borders, social cohesion, and work prospects for older women, the exhibition is designed to operate as an evolving manual for how we create equitable transformation. This underpins a new direction of travel for the Whitworth, as an institution that actively works for and with people across the city, one that begins with the question: after Covid, what kind of city can we make together?
Thanks again to my friends at the Whitworth for asking me to document the event opening and associated artist’s talk.
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Cloud Studies by Forensic Architecture
Photographs from the excellent new exhibition Cloud Studies by Forensic Architecture currently showing at Whitworth Art Gallery as part of Manchester International Festival.
https://forensic-architecture.org/investigation/cloudstudies
‘Cloud Studies’ was made for the exhibition Critical Zones: Observatories for earthly politics at ZKM Centre for Art and Media in Karlsruhe. Alongside the physical exhibition, our work is also presented on the virtual exhibition platform.
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Documentary photography of Helen Knowles 'Trickle Down', Arebyte Gallery, London
Trickle Down, A New Vertical Sovereignty is a tokenised four-screen video installation and generative soundscape, which explores value systems and wealth disparity. The artwork is composed of auction scenes, performances and choral interludes by different communities such as prisoners, blockchain technology employees, market sellers, and Sotheby’s auction bidders.
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