Michaela Yearwood-Dan at the Whitworth, Exhibition Opening

Exhibition opening at the Whitworth, Manchester

I photographed the opening of Michaela Yearwood-Dan’s exhibition at the Whitworth Art Gallery in Manchester. The exhibition brings together painting, ceramics and sound across several rooms in the gallery, with works placed so the installation shifts as you move through it.

I photographed the opening as it unfolded across the evening. I photographed the artist, Michaela Yearwood-Dan, in formal portraits within the space, as well as in more informal moments with friends and visitors during the opening. Alongside that, I photographed people moving through the exhibition, stopping to look closely at the work, talking, and circulating between rooms.

Michaela Yearwood-Dan

Michaela Yearwood-Dan works across painting, ceramics, installation and sound. Her paintings are built through layered surfaces of colour, gesture and handwritten text that sits directly within the image rather than as separate annotation. The work often holds fragments of writing within dense painterly surfaces, where image and language sit together.

She is represented by Hauser & Wirth and Marianne Boesky Gallery, and her work is shown internationally across institutional and gallery contexts.

Critical writing on the work

Writing on her practice often focuses on how abstraction and language sit alongside personal and cultural reference. In British Vogue, Charlotte Jansen describes her paintings as combining “confession, nostalgia and identity.”

The same article also notes the range of references within her work, from “queer communal spaces and carnival to Caribbean flora and fauna, to spiritual rituals and, very often, music.”

In exhibition texts for The Practice of Liberation at the Whitworth, her use of language is described as “fragments of diaristic writing alongside adapted and borrowed texts and lyrics,” which are integrated directly into the surface of the paintings.

Photographing the opening

I always enjoy working at the Whitworth. The building has a natural ease for photographing people within it, and the way exhibitions sit within its architecture supports that. There is a steady flow of movement during openings like this, which allows for a mix of portrait work, observation and social documentation without needing to separate those approaches.

It’s a privilege to work in environments where the architecture, the exhibition, and the people all sit together in the same frame. I am currently accepting commissions for exhibition photography, artist portraits and cultural documentation.

Photographing the Adidas Marketing Conference at Factory International, Mancheste

I always look forward to photographing the Adidas Marketing conferences, and this year’s event at Factory International in Manchester was nothing short of spectacular. Working alongside Jules from TOL Events, who consistently delivers remarkable experiences, I was excited to capture every moment of this high-energy gathering.

A Unique Venue for an Immersive Experience

The venue, a giant warehouse transformed into a versatile event space, provided the perfect backdrop for a dynamic and immersive conference. The auditorium was buzzing with activity as presentations, fashion shows, interviews, and even a beatboxing performance unfolded, keeping attendees fully engaged throughout the day. Every corner of the space offered opportunities to capture both staged and candid moments that reflected the energy and creativity of the event.

Capturing the Finale: A Fun Fair Surprise

The finale was particularly memorable. As the curtain lifted, the audience was treated to a full-size fun fair inside the warehouse, complete with rides, attractions, and a surprise appearance by Juergen Klopp. Capturing the excitement, expressions, and unique atmosphere of this unexpected twist made this assignment especially rewarding. The combination of dramatic lighting, large-scale installations, and human interaction created compelling photographic moments that told the story of the event from start to finish.

The Importance of Professional Event Photography

Professional event photography plays a crucial role for brands like Adidas. High-quality images not only document the day but also communicate the brand’s energy, professionalism, and vision. The photographs from this conference can be used across marketing campaigns, social media, press releases, internal communications, and future event promotion. Capturing a multifaceted live event like this requires technical expertise, creative framing, and an instinct for storytelling. Every shot contributes to the overall narrative, highlighting both the audience experience and the brand identity.

Collaborating with TOL Events

Working with TOL Events ensured a seamless flow throughout the day. Jules’ ability to push creative boundaries and orchestrate an engaging experience made my work as a photographer both challenging and exciting. From structured presentations to spontaneous interactions around the venue, there was always something compelling to capture.

Conclusion: Capturing the Energy and Spirit of the Event

Photographing the Adidas Marketing conference at Factory International in Manchester was an exhilarating experience. From the energetic auditorium sessions to the whimsical fun fair finale, every moment offered a unique story. Event photography is not simply about taking pictures—it is about capturing the spirit of the occasion, the energy of the participants, and the essence of the brand.

Adidas Superstar Awards

Adidas Superstar Awards Event Photography at Adidas UK Headquarters

I was commissioned to provide professional event photography for the Adidas Superstar Awards, held at the Adidas UK headquarters. The Superstar Awards are an annual ceremony where Adidas Europe recognises the outstanding contributions of its staff, celebrating achievements across teams and departments. This high-profile corporate awards event brings together employees from across Europe to highlight excellence, commitment, and innovation within the company.

Providing photography for an event of this scale is always rewarding, but working for a globally recognised brand like Adidas adds a unique dimension. Adidas is not just a sportswear company; it is a brand with significant cultural influence. Its impact stretches across sport, music, fashion, and lifestyle, making it one of the most aspirational and respected brands worldwide. Being involved in documenting their events allows me to connect with a company whose reputation for innovation and quality is synonymous with excellence in global culture.

Corporate Event Photography at Adidas

The Superstar Awards combine formal presentations with social and celebratory moments, creating ideal conditions for corporate event photography. Award presentations, stage ceremonies, and staff recognition moments provide opportunities for structured imagery, while candid interactions, networking, and celebration offer a natural, documentary style. These photographs capture both the achievements being celebrated and the energetic atmosphere of the event.

Events at Adidas UK headquarters are particularly well-organised, providing a professional environment with high-quality lighting, staging, and design. This allows for high-quality images that can be used for internal communications, social media campaigns, corporate reporting, and marketing materials. Documenting such an event contributes to Adidas’ broader brand narrative, showing both the recognition of staff and the brand’s commitment to excellence.

The Significance of the Superstar Awards

The Superstar Awards are an important part of Adidas’ corporate culture. They reinforce the company’s commitment to recognising talent and rewarding excellence across Europe. From a photography perspective, capturing these moments is about more than documenting trophies being handed out—it’s about reflecting the company’s values, professionalism, and culture.

Adidas’ influence extends far beyond corporate achievements. The brand has shaped sportswear innovation, influenced music and street culture, and consistently collaborated with designers and artists to push boundaries in fashion and lifestyle. Photographing events for a company with this kind of global recognition allows me to contribute to their visual legacy and document a brand that resonates culturally and professionally.

Why Working with Adidas is Distinctive

For a photographer, working for Adidas is both rewarding and prestigious. The brand carries cultural and professional authority that few companies can match. Their products are of high quality, their events are carefully executed, and their staff embody a dynamic and creative ethos. Being associated with a brand of this stature reflects positively on the work itself, enhancing the perceived value and reach of the photography.

The Superstar Awards event was managed by the professional team at TOL Events, whose coordination ensured the evening ran smoothly. This level of organisation, combined with the high-profile nature of Adidas as a global brand, provides the ideal context for professional, high-impact event photography.

Capturing Staff Recognition and Corporate Culture

Event photography for Adidas is not simply about recording awards; it is about capturing moments that tell the story of the brand, the culture, and the people behind it. From winners’ reactions to team interactions, candid photographs convey energy, engagement, and the celebratory atmosphere of the Superstar Awards. These images form part of Adidas’ visual identity, used in corporate communications, online campaigns, and internal reporting to showcase excellence and achievement.

By documenting the Superstar Awards, I contribute to a record of one of the most influential brands in sport, fashion, and culture. Each photograph not only highlights the award recipients but also reflects the professionalism and prestige that make Adidas a global leader.

Phoenix Healthcare distribution for Fagan Jones

Pharmaceutical Facility Photography in Preston Brook | Automated Drug Distribution and Logistics

I was commissioned to photograph a high-technology pharmaceutical distribution facility in Preston Brook on behalf of the film production company Fagan Jones. The shoot was organised by producer Vicky at Fagan Jones, and I was working alongside the exceptionally talented cinematographer Dan Lightening, who was filming moving footage for the same project.

My role on the day was to create a set of still photographs documenting the scale, infrastructure and day-to-day operations of the site. These images would complement the film production while also providing a visual record of the facility for marketing, communications and corporate use.

Inside a High-Technology Pharmaceutical Logistics Facility

The distribution centre in Preston Brook is an impressive example of the level of automation now present in modern pharmaceutical logistics. Within the facility, miles of robotised and computer-controlled conveyor systems move medicines through a carefully designed network of routes. These automated systems pick, sort and pack drugs before they are dispatched to pharmacies across the UK.

From a photographic perspective the site offered a remarkable environment to document. Long corridors of conveyors run through the building, with automated picking machines selecting products at speed before they are routed through packing stations. Containers glide through the system in a constant flow, guided by computerised logistics software that ensures the correct medication reaches the correct destination.

Facilities like this are essential parts of the national healthcare supply chain. The efficiency and reliability of the logistics systems ensure that pharmacies and healthcare providers receive the medicines they need quickly and accurately. Photographing such environments provides a glimpse into the highly organised infrastructure that underpins pharmaceutical distribution.

Photographing Automation, Robotics and Industrial Systems

Industrial photography in environments like this requires a combination of wide architectural views and detailed documentary images. Wide photographs show the scale of the operation, with long lines of conveyors stretching across large warehouse spaces. These images help communicate the sheer size of the facility and the complexity of the logistics network.

At the same time, close-up photographs reveal the precision of the machinery involved. Sensors, scanners and robotic arms guide containers along the system, while packing stations assemble shipments ready for distribution. Capturing these smaller details helps explain the process visually, showing how individual components of the system work together to form a seamless operation.

Lighting conditions in large industrial buildings can also present interesting challenges. High ceilings, mixed light sources and moving machinery require careful attention to exposure and timing in order to produce clear and dynamic images.

Stills Photography Alongside a Film Production

One of the most enjoyable aspects of the commission was working alongside a film crew. While Dan Lightening focused on capturing cinematic footage of the logistics process, my role was to produce still images that documented the same environment from a complementary perspective.

Working in parallel with a film crew requires a degree of coordination. Film productions often involve lighting setups, rehearsed camera movements and multiple takes, whereas still photography typically requires more mobility in order to capture spontaneous moments. The aim is always to work collaboratively so that both the stills and the moving images can be produced efficiently without interrupting the workflow of the facility itself.

Photographs created during these types of productions are often used in a wide range of contexts, including websites, press releases, annual reports and promotional material. They provide organisations with a visual record of the project that can be used long after the filming itself has been completed.

Documenting the Scale of Modern Logistics

Large automated facilities like the one at Preston Brook are fascinating places to photograph because they combine architecture, engineering and human expertise. Despite the high level of automation, the site is still supported by skilled staff who oversee the systems, monitor quality control and ensure that everything runs smoothly.

Capturing both the human and technological aspects of the environment helps create a more complete narrative of how the facility operates. Images of staff interacting with the machinery, monitoring computer systems or managing packaging operations provide context to the vast automated infrastructure surrounding them.

The visual rhythm of the conveyors, the repetition of containers moving through the system and the geometric lines of the machinery all contribute to a distinctive aesthetic that is unique to industrial and logistics photography.

A Fast-Moving Day on Location

Facilities of this scale are rarely static environments. Conveyors are constantly moving, robots are continuously sorting products, and staff are working across different areas of the building to keep operations running smoothly. For a photographer, this means covering a significant amount of ground in a limited amount of time in order to capture the full story of the site.

By the end of the day it was clear that running shoes should probably be considered essential equipment for photographers working in environments like this. Moving quickly between different areas of the facility, keeping pace with both the film crew and the production schedule, makes for a busy but very rewarding assignment.

Documenting the combination of advanced technology, logistics infrastructure and human expertise that keeps a pharmaceutical distribution centre operating is always fascinating. It also offers a reminder of the enormous systems working behind the scenes to ensure medicines reach pharmacies and patients across the country.

Documentary photography of Helen Knowles 'Trickle Down', Arebyte Gallery, London

Helen Knowle’s immersive four-screen installation ‘Trickle Down’ opened on 23rd January.

I attended the final set-up day to photograph the completed installation ahead of the opening night.

Trickle Down, A New Vertical Sovereignty is a tokenised four-screen video installation and generative soundscape, which explores value systems and wealth disparity. The artwork is composed of auction scenes, performances and choral interludes by different communities such as prisoners, blockchain technology employees, market sellers, and Sotheby’s auction bidders.

The installation commences when a visitor drops a pound coin into a machine designed to expose the mechanisms needed to convert fiat currency into crypto-currency. The sensors, software and electronic components along with a read out of the blockchain ledger are exposed, embedded in a large sheet of glass. Each and every member of the Trickle Down community, who has helped the work come to fruition,  will receive a share of the ETH via a crypto-currency wallet, questioning: can technology be a unifying force to enable more equality in society or does technology only work effectively for those who are educated to navigate it? 

Knowles documented a series of auctions in widely different settings, which reflect the disparities in wealth and financial power individuals in different communities have. These include prisoners at HMP Altcourse in Liverpool, Ethereal Summit attendees, employees at blockchain company ConsenSys in New York, shoppers at Openshaw market in North Manchester and the Russian community in central London buying cultural artefacts at Sotheby’s auction house. Knowles photographed members of these communities during the bidding process, documenting their attire rather than identities.

Images of expensive handbags, jewels, fur and beautifully woven fabrics accompany sounds of rising numbers as cultural artefacts are offered for sale. At the opposite end of the wealth spectrum, bric a brac and basic goods are being bought in bulk at the north Manchester market and prisoners bid with their labour for plants to send to relatives for Christmas, during an auction staged by the artist exploring prison economies. 

Trickle Down, A New Vertical Sovereignty seeks to explore and provoke questions about labour, automation, value in art, decentralised sharing economies and distribution of wealth.

https://www.arebyte.com/trickle-down-a-new-vertical-sovereignty

British Association for Applied Linguistics conference

Conference Photography at the BAAL Conference, Manchester Metropolitan University

A few weeks ago I photographed the latest conference organised by the British Association for Applied Linguistics (BAAL) at Manchester Metropolitan University. The event brought together researchers, academics and students working across the field of applied linguistics, with presentations, panel discussions and networking sessions taking place throughout the day.

Photographing academic conferences like this is always engaging, not only from a visual perspective but also intellectually. As a photographer you are immersed in subjects that you might not otherwise encounter, documenting conversations and presentations while absorbing ideas and research happening around you.

Applied Linguistics and Academic Research

The BAAL conference this year explored a range of themes connected to language learning and linguistic research. Topics included language acquisition, the experience of learning foreign languages, and the ways in which emerging technologies are influencing communication and linguistic change.

Events like these highlight the diversity of contemporary research in applied linguistics. Bringing together scholars from different institutions allows for discussion and collaboration while giving attendees the opportunity to share new insights and approaches to teaching, learning and analysing language.

Photographing Academic Conferences

Conference photography requires a balance between documentary observation and careful timing. The aim is to capture a clear visual record of the event: keynote speakers presenting their research, audience engagement during talks, informal discussions between delegates, and the overall atmosphere of the venue.

Universities and academic organisations often use these images for future conference promotion, websites, social media, and institutional archives. High-quality photographs also help illustrate the energy and collaborative nature of academic gatherings.

Feedback from the Conference Organiser

Freelance photographers often deliver work after an event without hearing much about how the images are received, so it was particularly gratifying to receive this message from the BAAL conference organiser afterwards:

“I’ve just downloaded the photos – absolutely fantastic. I’ve never given a photographer such a haphazard brief and had it nailed so well, so thanks very much. I wouldn’t hesitate to use you again based on these.”

Positive feedback like this is always encouraging, especially when working in fast-moving environments such as conferences where capturing the right moments requires careful observation and responsiveness.

Conference Photographer in Manchester and the UK

If you are organising a conference, academic event or professional gathering and require a photographer in Manchester, the North of England or elsewhere in the UK, please feel free to get in touch via email or through the contact form on the About page of this site.

What Makes a House a Home? for Hawkins/Brown

Hawkins\Brown have been debating this question for over 30 years and on Thursday 18 July 2019, hosted a party at Glass House One, Festival Square, to celebrate another successful year for Hawkins\Brown Studio North and their continued support of and involvement in Manchester International Festival.

The house: “a machine for living in” (Le Corbusier), or a place “to dream” (Gaston Bachelard)?

The panel delved into this rich and varied topic covering everything from co-living and the concept of community, to shifts in social demographics and changing lifestyles, to DfMA, buildability and volumetric housing, to what “home” means personally to each of the panellists. Some suggestions included: “my record collection”, “acoustic insulation (three children under the age of three!),” and “the freedom to DIY”.