Latest Editorial, Portrait & Commercial Photography Projects

A selection of my most recent commissions and ongoing projects.

The work shown here spans editorial assignments, portrait commissions, documentary projects and commercial photography for organisations and publishers. It reflects current areas of focus and the range of contexts in which I am working.

New projects are added regularly.

Artists, Documentary David Oates Artists, Documentary David Oates

Photographing the 2024 Fine Art Masters Show at the Reopened Holden Gallery

The Holden Gallery in Manchester has now reopened following a major two-year refurbishment of the historic Grosvenor building, revitalizing its exhibition spaces and offering a fresh, contemporary setting for art. I was recently back at the gallery to photograph the 2024 Fine Art Masters Show, an annual highlight that showcases the incredible talent of emerging artists from across the UK.

Three young female students discussing a canvas painting at the 2024 Fine Art Masters Show in Holden Gallery, Manchester, contemporary art photography

The Holden Gallery in Manchester has now reopened following a major two-year refurbishment of the historic Grosvenor building, revitalizing its exhibition spaces and offering a fresh, contemporary setting for art. I was recently back at the gallery to photograph the 2024 Fine Art Masters Show, an annual highlight that showcases the incredible talent of emerging artists from across the UK.

It was inspiring to capture the energy and creativity on display, from striking paintings and sculptures to experimental media works. The refurbished Holden Gallery provides a perfect backdrop for photography, with its modernized lighting and restored architectural details enhancing the visual impact of each piece.

For photographers documenting art, exhibitions like this are a wonderful opportunity to explore the interplay of artworks, space, and lighting. Each image tells a story of both the artist’s vision and the gallery’s commitment to presenting contemporary practice in a beautifully maintained historic setting.

Whether you’re an art enthusiast, student, or fellow photographer, the Holden Gallery Fine Art Masters Show 2024 is not to be missed. The reopening of the gallery marks a new chapter for Manchester’s vibrant art scene, and I’m delighted to have documented this important moment.

Wide-angle shot of gallery installations in the center of Holden Gallery with a woman walking past, exhibition photography emphasizing space and movement

Manchester has a chronic lack of spaces for art for a city of its size and status, so it’s great to see this gallery reopen and I’m looking forward to seeing what the new programme holds in store.

Woman observing paintings while walking through Holden Gallery, editorial photography capturing visitor engagement with contemporary artworks
Close-up of a student woman peering at paintings on a wall in Holden Gallery, art exhibition photography highlighting interaction and detail
Wide shot of two visitors walking past four paintings on a wall at the Holden Gallery Fine Art Masters Show, architectural and exhibition photography
Close-up of woollen artwork resembling a sculpted head, photographed in Holden Gallery, Manchester, contemporary textile art photography
Portrait of a woman examining canvas paintings in Holden Gallery, editorial photography of visitor engagement with fine art
Wide-angle view through an arched gallery doorway with a visitor walking in the distance, architectural and exhibition photography capturing depth and movement
Photograph from behind a painting of a person DJing, showcasing dynamic contemporary artwork at Holden Gallery Fine Art Masters Show
Student making notes while observing artworks on display at Holden Gallery, editorial photography capturing engagement and learning in art spaces
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Artists, Documentary David Oates Artists, Documentary David Oates

Documentary photography of Manchester School of Art - End of Year shows

As a freelance photographer, I’ve had the privilege of covering a range of events, from high-profile gallery openings to intimate artist workshops. But there’s something uniquely electric about photographing the Manchester School of Art’s Final Year Shows. This annual event is a visual feast—a whirlwind of creative expression that radiates youthful energy and bold experimentation.

Silhouette of a woman photographed against abstract artwork at Manchester School of Art Final Year Show, editorial art photography capturing interaction with creative pieces

As a freelance photographer, I’ve had the privilege of covering a range of events, from high-profile gallery openings to intimate artist workshops. But there’s something uniquely electric about photographing the Manchester School of Art’s Final Year Shows. This annual event is a visual feast—a whirlwind of creative expression that radiates youthful energy and bold experimentation.

Middle-aged man examining a student architectural model, professional event photography documenting audience engagement at final year show
Woman observing video artworks in gallery setting, creative exhibition photography highlighting student projects and viewer interaction

Stepping into the show, you can’t help but feel a sense of anticipation. It’s like walking into a sprawling gallery where every corner has something surprising to offer. The exhibition sprawls across different spaces, showcasing the work of students from various disciplines—painting, sculpture, digital design, fashion, and more. As someone tasked with documenting these moments, I need to quickly assess where the magic is happening and how best to capture it.

Man standing near video projection artwork, editorial photography capturing audience engagement and contemporary art installations

The first challenge is the sheer variety of the work. Each student has spent months, if not years, developing their final pieces, and no two are alike. One moment, I’m photographing a vibrant, abstract painting that dominates an entire wall, the next I’m crouched low, focusing on the intricate details of a conceptual sculpture made of recycled materials. As a photographer, I need to adjust my approach with every shot—switching between wide angles to capture the scale of installations and close-ups to highlight the craftsmanship.

Young female student peering closely at architectural model, detailed art photography emphasizing examination of creative design work

The diversity of mediums can also be tricky to capture, especially when moving between 3D pieces and digital displays. I find myself drawn to the fashion design section, where students have created garments that blur the lines between art and wearable expression. Models wearing the students’ designs wander through the space, and this creates dynamic, live-action moments that require quick reflexes. I follow the models closely, framing shots that showcase both the fluidity of the fabric and the confidence of the wearer.

Close-up of older woman’s hands as she reviews student workbook, educational and exhibition photography capturing interaction with art materials

What’s particularly challenging, but also rewarding, is photographing interactive art. Many pieces invite the audience to participate—whether it’s a digital installation that reacts to sound or a sculptural piece that encourages touch. It’s hard to convey the essence of these works in a single image, but I try to focus on capturing people’s engagement with the art. A hand reaching out, a thoughtful expression as someone studies a piece, a child laughing in delight at an unexpected moment—all these interactions are just as important as the art itself.

Wide shot of mother and daughter looking through student workbooks at Manchester School of Art Final Year Show, lifestyle and exhibition photography

The lighting conditions add another layer of complexity. In one room, the lighting might be bright and natural, ideal for capturing crisp, clean images. In another, the mood might be much darker, with spotlighting used to create dramatic shadows. I constantly adjust my settings, ensuring that the photos not only reflect the technical aspects of the work but also evoke the intended emotional response.

Attendees applauding during awards ceremony at final year show opening, event photography capturing audience reactions and celebratory moments

As the evening draws to a close, and I scroll through the hundreds of images I’ve taken, I feel a sense of accomplishment. Capturing the essence of the Manchester School of Art’s Final Year Shows isn’t just about photographing the art—it’s about documenting the passion and energy that these young creatives bring to their work. Every image tells a story, not just of the art itself, but of the moment in time when it was unveiled to the world.

Wide-angle view of gallery opening with visitors observing artworks, professional exhibition photography emphasizing scale and engagement

Leaving the exhibition, I know that I’ve been part of something special. The Manchester School of Art’s final shows are a glimpse into the future of art and design, and I feel privileged to have witnessed, and captured, the first steps of these emerging talents.

Two young female students discussing and commenting on artwork displayed on a table, editorial photography highlighting peer interaction and creative dialogue
Wide shot of a live performance taking place during final year show opening, event photography documenting performance art and audience engagement
Woman examining folded paper sculptural artwork on table, editorial art photography emphasizing detail, texture, and student creativity
Two women socializing outside gallery after final year show opening, lifestyle event photography capturing informal interactions and creative community atmosphere
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Conference, Event, Documentary David Oates Conference, Event, Documentary David Oates

School of Digital Arts (SODA) Opening at Manchester Metropolitan University – Event Photography

The opening of the School of Digital Arts (SODA) at Manchester Metropolitan University marked an important moment for creative education in the UK and for the cultural life of Manchester itself. Designed as a centre for innovation in digital storytelling, film, animation, photography, sound, gaming and immersive media, the new SODA building represents a major investment in the future of the creative industries.

The opening of the School of Digital Arts (SODA) at Manchester Metropolitan University marked an important moment for creative education in the UK and for the cultural life of Manchester itself. Designed as a centre for innovation in digital storytelling, film, animation, photography, sound, gaming and immersive media, the new SODA building represents a major investment in the future of the creative industries.

Events like this are significant not only for the institutions involved but also for the wider cultural landscape of the city. Documenting them through professional photography ensures that these moments are preserved as part of Manchester’s evolving creative history.

Documentary street photography of Peter Mandelson talking to a local man in Hulme, Manchester

A Major Milestone for Creative Education in Manchester

The new School of Digital Arts at Manchester Metropolitan University was created to bring together students, researchers and industry professionals working across digital and creative disciplines. Located in the centre of Manchester, the building provides purpose-built studios, production spaces and collaborative environments designed to support the next generation of filmmakers, photographers, designers and digital artists.

Andy Burnham on Stage

The official launch event attracted an impressive range of guests from politics, film and music. Among those attending were Peter Mandelson, Andy Burnham, Oscar-winning director Danny Boyle, and Manchester musician and composer Barry Adamson.

Their presence highlighted the importance of the project and the role that institutions like SODA will play in shaping the future of digital creativity in the UK.

The Importance of Photographing Cultural and Institutional Events

Photography plays a vital role in documenting events that mark significant moments for universities, cultural organisations and cities. While speeches and announcements define the official narrative of an event, photography captures the atmosphere, the people and the interactions that bring those moments to life.

Barry Adamson

Images from the opening of a new building or institution quickly become part of an organisation’s visual archive. Years later they are often used in publications, exhibitions, press features and anniversary retrospectives. A well-observed photograph can communicate the significance of an occasion instantly, providing a visual record that will remain relevant long after the event itself has passed.

Danny Boyle on stage

Professional event photography also allows institutions to communicate their identity and ambitions. In the case of the SODA launch, the photographs reflect the collaboration between academia and the creative industries, the architectural identity of the building, and the sense of energy surrounding the new school.

These visual narratives help organisations present themselves to prospective students, partners and the media.

Capturing the Atmosphere of the SODA Launch

The opening event for the School of Digital Arts was filled with moments that reflected both the prestige of the occasion and the creative spirit of the institution. Guests explored the building’s studios and digital facilities, viewed demonstrations of student work and spoke about the future of creative education in Manchester.

From a photographic perspective, events like this require careful observation and an ability to anticipate moments before they happen. Conversations between prominent figures, reactions from audiences during speeches and informal interactions between guests all contribute to the visual story of the event.

Alongside documentary images of people, the architecture of the SODA building itself also becomes an important subject. The spaces in which creative work will take place in the future are part of the narrative of the launch, providing context for the institution’s ambitions.


Manchester’s Role in the Creative Industries

The opening of the School of Digital Arts reinforces Manchester’s reputation as one of the UK’s most important creative cities. For decades the city has been a centre for music, film, television and digital media, producing artists, filmmakers and innovators whose work has had international impact.

Institutions like SODA strengthen that ecosystem by providing students with direct connections to industry and access to the technology shaping the future of storytelling. The launch of the school represents another step in Manchester’s continuing evolution as a hub for digital creativity.

Photographing events connected to these developments contributes to the broader visual history of the city. Images captured at these moments become part of the record of how Manchester continues to reinvent itself as a centre for culture, media and innovation.

The Role of the Event Photographer

Photographing high-profile events requires a combination of documentary awareness, portraiture skills and editorial judgement. The photographer must be able to move through the event discreetly while remaining alert to moments that reveal the significance of the occasion.

The most effective images often emerge from small details: a conversation between guests, the expression of an audience listening to a speech, or a quiet moment that reflects the atmosphere of the room. These photographs collectively build a visual narrative that goes beyond simple documentation.

For universities, cultural organisations and public institutions, this kind of visual storytelling is essential. Photographs from launch events, conferences and cultural gatherings are used across websites, publications, press releases and long-term promotional campaigns.

Preserving the Beginning of a New Chapter

The opening of the School of Digital Arts at Manchester Metropolitan University marks the beginning of a new chapter for creative education in the city. It brings together technology, storytelling and artistic practice in a way that reflects the direction of modern media industries.

Photographs from the event help preserve that moment. They record the people who were present, the atmosphere of the launch and the sense of anticipation surrounding the new institution.

In years to come, these images will remain as part of the visual history of both the university and the city of Manchester, documenting the moment when the School of Digital Arts opened its doors and began shaping the next generation of creative talent.

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