Professional Headshot Photography to Build Your Personal Brand

As a freelance photographer specializing in headshot photography, I am dedicated to helping you create a strong personal brand that stands out in today’s competitive marketplace. Whether you're an actor, corporate professional, entrepreneur, or creative artist, a high-quality headshot can make a significant impact on how you're perceived.

Why Choose Professional Headshots?

In a digital world where first impressions often happen online, a professional headshot is more important than ever. It serves as your visual introduction, giving potential clients, employers, or collaborators a glimpse of your personality and professionalism. With years of experience in portrait photography, I understand the nuances that make a headshot truly exceptional. Here are a few reasons to invest in professional headshot photography:

1. Build Trust and Credibility

A well-crafted headshot conveys trustworthiness and professionalism. It can enhance your personal brand and increase your chances of being remembered. In a sea of profiles, a standout image can make all the difference.

2. Tailored to Your Needs

Every client is unique, and I take the time to understand your specific requirements and vision. Whether you prefer a corporate look for LinkedIn, a creative vibe for your portfolio, or a friendly appearance for networking events, I tailor the session to capture your individuality.

3. High-Quality Results

Using professional-grade equipment and techniques, I ensure that each headshot is of the highest quality. From lighting and composition to post-processing, every detail is meticulously handled to deliver stunning results.

The Headshot Photography Process

Consultation

Before we start, I offer a consultation to discuss your goals, preferred styles, and any specific locations you have in mind. This initial conversation is crucial in ensuring that we capture the essence of who you are.

Photoshoot

During the shoot, I create a relaxed atmosphere to help you feel comfortable. Whether in my studio or on location, I guide you through poses and expressions to showcase your personality effectively.

Editing and Delivery

Post-session, I carefully edit the images to enhance their quality while maintaining authenticity. You’ll receive your headshots in various formats, perfect for both online and print use.

Perfect for All Professions

I cater to a diverse clientele, including:

• Corporate Professionals: Elevate your LinkedIn profile and company website with polished headshots that reflect your professionalism.

• Actors and Performers: Showcase your unique character with compelling headshots that resonate with casting directors.

• Entrepreneurs and Freelancers: Establish your brand identity with dynamic images that convey your passion and expertise.

• Creatives and Artists: Capture your artistic essence in headshots that tell your story.

Booking Your Headshot Session

Ready to elevate your image? Booking your headshot session is easy! Visit my Contact Page to schedule a consultation or inquire about pricing and packages.

By investing in professional headshot photography, you’re taking a crucial step toward building your brand and making a lasting impression. Explore the gallery of my recent work to see examples of how I help clients like you shine.

Let’s work together to create a headshot that truly represents you and opens doors to new opportunities!

Documentary photography for Wild in Art - We Live Here Eccles

In the summer of 2023, visitors to Eccles discovered a vibrant Wild in Art trail celebrating the unique character and heritage of Eccles, which took over windows, walls and spaces in the town centre. The public art installation featured street art, paintings, murals, photography and pop up studios – all created by local artists and Eccles residents.

24 installations of artwork decorated the town and all referenced the different wildlife and people that live, study and work in Eccles.

The event was part of a huge regeneration programme from Salford City Council. Wild in Art were commissioned to work with local stakeholders to deliver a showcase of artwork, from striking installations to magnificent murals, powerful photography and stunning paintings, injecting life and colour into Eccles town centre.

Locals and visitors could pick up a trail map at Eccles Library, and various shops and cafes in Eccles Shopping Centre to explore the trail.

I was fortunate enough to document the trail and my photographs illustrate the website: https://wildinart.co.uk/events/we-live-here-eccles/

This year after the announcement of a major regeneration programme in the town, Wild in Art announced a new piece of work, a mosaic co-produced by Lauren Mullarkey and members of the local community who would be telling of their experiences of the local area and providing material from which the mosaic would be made. I visited to meet and take portraits of the contributors.

Greg Marsden photographed for Connected Places Catapult

It was a privilege to photograph Greg Marsden, a leading academic in transport planning and sustainable mobility, for the latest issue of Connected Places Catapult. Greg Marsden’s research focuses on the future of transport systems, mobility policy, and innovative infrastructure planning, making him a key voice in shaping smarter, more sustainable cities across the UK and beyond.

Choosing the Perfect Location for Editorial Portraiture

For this portrait, I wanted to create something dynamic and reflective of both his visionary work and the transformative power of urban environments. I chose the University of Leeds for its striking brutalist architecture—a location that perfectly complements Greg’s forward-looking approach to transport planning. The sculptural concrete walls and rough textures of the building provided a visually compelling backdrop, while streams of natural light falling through the structure allowed me to play with shadows and highlights to create depth and drama.

Dynamic Portraits with Light, Architecture, and Storytelling

In the image, Greg is looking up toward the light, a pose that emphasizes curiosity, reflection, and vision, moving beyond a standard academic headshot. By carefully positioning him within the intersecting planes of concrete, I captured both the human element and the architectural environment, producing a portrait that tells a story: of an academic at the forefront of shaping connected, future-ready cities, and a photographer exploring how light, texture, and composition can elevate storytelling in editorial portraiture.

Highlighting the Work of Connected Places Catapult

Connected Places Catapult plays a crucial role in translating academic research and innovative transport solutions into actionable urban strategies, fostering collaboration between industry, government, and research institutions. Documenting Greg Marsden in this context allowed me to highlight the connection between pioneering research and the environments it seeks to influence—perfectly marrying the worlds of photography, architecture, and sustainable urban development.

Photography Techniques for Academic and Environmental Portraits

This editorial portrait is a testament to how location, lighting, and pose can transform a simple academic portrait into a visually compelling story. Using natural light, brutalist architectural textures, and thoughtful composition, the portrait showcases Greg Marsden’s expertise in transport planning and the impact of Connected Places Catapult on the UK’s urban mobility landscape.

Soccer Players Talk Retirement for ESPN

Joe Thompson for ESPN

A wonderful opportunity to meet and photograph former footballers Nedum Onuoha (ex-QPR and Manchester City), David Thompson (ex-Liverpool, Coventry and Blackburn) and Joe Thompson (ex-Rochdale and Tranmere) for a recent ESPN article discussing their varied experiences of retiring from the game.

Nedum Onuoha for ESPN

David Thompson for ESPN

Nedum Onuoha for ESPN

Joe Thompson for ESPN

David Thompson for ESPN

Ann Treneman for The Times

It was a pleasure to photograph Ann Treneman for The Times recently, a shoot that resulted in my first cover for The Times Weekend supplement and my first image on the cover of The Times newspaper.

Until September 2015, Ann was The Times Parliamentary sketchwriter after which she became the paper’s chief theatre critic. A keen weekend gardener, Ann subsequently studied horticulture and landscape architecture with both the RHS and the University of Sheffield.

The Times article details Ann’s preparations for her garden designed for this year’s Chelsea flower show. The shoot took place in Ann’s garden in Bakewell, Derbyshire.

John Junior for Samaritans

Photographing Mental Health Advocate John Junior for Samaritans

I recently had the pleasure of photographing John Junior for the Samaritans, capturing his work as a mental health activist and advocate. John uses his platform to educate others about mental health challenges and to promote awareness of support services.

John Junior’s Work in Mental Health Awareness

In 2019, John Junior began vlogging about his own experiences with mental health difficulties on Instagram, aiming to reach out to others facing similar challenges. His candid and personal approach helped to connect with young people and adults alike, offering insight, guidance, and reassurance. In May 2020, his vlogs caught the attention of UNILAD, who invited him to test the Samaritans self-help app during Mental Health Awareness Week and contribute to campaigns around World Suicide Prevention Day on 10 September 2020.

The DBT for All Campaign

Following his work with Samaritans, John helped promote the "DBT for All" campaign, created in September 2020 to make dialectical behaviour therapy more widely available on the NHS. DBT is a clinically recognised therapy used to treat children, teenagers, and adults who are suicidal or demonstrate self-destructive behaviours. Through the campaign, John helped raise public awareness of the importance of accessible mental health treatments in the United Kingdom.

Speaking Out and Breaking Stigmas

John Junior speaks publicly about living with mental health conditions and has given interviews on television, radio, and in print internationally. His advocacy focuses on breaking down the stigma around mental health, providing education, and encouraging open conversations about emotional wellbeing. Photography plays a key role in documenting and promoting this work, helping to communicate his message to wider audiences.

Supporting Samaritans’ Mission

The Samaritans organisation provides vital support for anyone struggling with mental health issues or suicidal thoughts. Collaborating with John Junior on this photography project allowed me to visually contribute to their ongoing campaigns and highlight the importance of mental health awareness. Capturing these moments reinforces the human stories behind advocacy work and the significance of accessible mental health support services.

Lillian and Fidaa for Asthma UK - British Lung Foundation

Documenting Asthma UK and British Lung Foundation’s Clean Air Campaign

It was a privilege to meet and photograph Fidaa and Lily while supporting the British Lung Foundation and Asthma UK’s important campaign for clean air. The campaign highlights the dangers of air pollution, particularly for children living with respiratory conditions like asthma.

Lily, who is nine years old, has experienced breathing problems since she was a baby. Her asthma is exacerbated by exposure to air pollution, a reality that her family only fully understood after borrowing an air quality monitor from the British Lung Foundation. The results revealed regular spikes of nitrogen dioxide that were up to 50 per cent above EU legal limits, even near parks and roads that seemed safe.

The Impact of Air Pollution on Children with Asthma

Children spend significant time at school, yet many are exposed to high levels of traffic-related air pollution during drop-off and pick-up times. For families like Lily’s, these invisible pollutants pose a serious risk to health, particularly for children with asthma. The campaign calls for measures such as creating ‘school streets’ that restrict traffic near schools, planting more trees, and increasing green spaces to improve air quality.

Parents and communities are demanding more action from politicians and local authorities to protect children’s lungs. Initiatives such as petitions, local advocacy, and monitoring air quality play a crucial role in raising awareness and implementing change. The experiences of Lily and her family illustrate the real-life impact of air pollution on children’s health and wellbeing.

Supporting Clean Air Initiatives

The British Lung Foundation and Asthma UK are working to improve air quality and reduce the risks associated with pollution for children and adults with respiratory conditions. Campaigns like these demonstrate the need for cleaner, safer urban environments and highlight how community action can influence policy and infrastructure. Photography helps to document these campaigns, giving a human face to public health advocacy and showing the urgency of creating healthier spaces for children to live, learn, and play.

By capturing moments like these, the campaign raises awareness and engages wider audiences, reinforcing the importance of clean air for everyone, especially vulnerable children like Lily.

Sheila Anderson for Samaritans

Portrait Photography for Samaritans | Sheila Anderson and Suicide Prevention Training

Earlier this year I had the privilege of meeting and photographing Sheila Anderson on behalf of the charity Samaritans. The portraits were created as part of a campaign highlighting the impact of the organisation’s Managing Suicidal Conversations training and the difference it can make when people feel confident enough to reach out and support someone in distress.

Sheila had taken part in the Samaritans’ training programme while working for the railways. The course is designed to help people recognise signs that someone may be struggling and to provide practical guidance on how to begin a conversation that could help someone find support.

A Conversation That Made a Difference

Not long after completing the training, Sheila encountered a situation where those skills proved invaluable. She was on her way to do her weekly shopping when she noticed a young woman in visible distress.

Trusting her instincts, she stopped the car and approached carefully, beginning a conversation in a calm and open way. The simple act of asking a compassionate question helped interrupt the woman’s immediate thoughts and allowed a dialogue to begin.

Sheila later described the moment in her own words:

“Around the beginning of last year, I was on the way to my weekly shop when I came across a young woman in floods of tears. I stopped the car and slowly approached her. I asked, ‘Has something happened to bring you here today?’ and I could tell that instantly broke her thoughts. She told me her name and said she was struggling to cope as she wasn’t able to get the support she needed.”

Through patience and conversation, Sheila was able to encourage the woman to move to a safer place and seek help. Her willingness to stop and talk potentially saved a life.

The Importance of Training and Awareness

The Samaritans’ Managing Suicidal Conversations training programme aims to give people the confidence to respond when they encounter someone in crisis. Rather than feeling unsure about what to say or do, participants learn how to approach situations calmly, listen without judgement and guide individuals toward appropriate support.

Stories like Sheila’s illustrate how important these skills can be. Often it is not specialist professionals but ordinary members of the public who first encounter someone in distress. Having the confidence to begin a conversation can create the opportunity for someone to step away from immediate danger and find the support they need.

Photographing Stories of Compassion and Support

For this assignment my role was to create portrait photographs that could accompany Sheila’s story in the Samaritans’ communications and campaign materials. Portrait photography for charities often focuses on authenticity and clarity, allowing the subject’s experience and message to take centre stage.

In situations like this the aim is to create images that feel approachable and human, reflecting the compassion and empathy at the heart of the story being told. The photographs help audiences connect with the individual behind the story, reinforcing the real-world impact of the organisation’s work.

Meeting Sheila and hearing about her experience was a powerful reminder of how small actions – a conversation, a moment of attention, a willingness to stop and listen – can make an extraordinary difference.

Bruce Grobbelaar for 11 Freunde

A recent commission to photograph Liverpool FC legend Bruce Grobbelaar for German football magazine 11 Freunde.

A total gent who even bought me a beer at the end of the shoot, I think that’s the first time that’s happened in 20 years!

Bruce is a Zimbabwean former professional footballer who played as a goalkeeper, most prominently for English team Liverpool between 1981 and 1994, and for the Zimbabwean national team. He is remembered for his gymnastic-like athletic ability, unflappable confidence and eccentric and flamboyant style of play. He was appointed as goalkeeper coach for Ottawa Fury FC of the North American Soccer League in 2014. In March 2018 he was announced as goalkeeper coach for the Matabeleland football team. Born in South Africa, Grobbelaar grew up in neighbouring Rhodesia (today Zimbabwe), and served in the Rhodesian Army before he joined the Vancouver Whitecaps of the North American Soccer League in 1979. He gained Liverpool's attention during a loan spell at Crewe Alexandra during the 1979–80 season, and signed for the Merseyside club in 1981. Making 628 appearances for Liverpool over the next 13 years, including 440 in the League, he won the League championship with the club six times, as well as three FA Cups, three League Cups and the 1983–84 European Cup.

Sue Steer for the Royal Institute of Chartered Surveyors

I was asked by London-based agency Sunday to visit Sue Steer at her home in Shropshire a few weeks ago to take some portrait photographs. Sue is a rural surveyor and the pictures were to accompany an article in the Royal Society for Chartered Surveyors’ Modus magazine.

Sue’s house proved incredibly difficult to find hidden as it is deep in the beautiful Shropshire Hills, Sue’s husband Martin gave me copious instructions, dropped Whatsapp pins and even sent the What Three Words reference all to no avail and finally he had to drive out to find me passing the same bemused farmer for the sixth or seventh time.

Their house was well worth the effort of finding, a 15th Century thatched cottage with an accompanying listed timber barn. It resembled a scene from Hansel and Gretel.

We spent a happy few hours taking photographs around the house, the barn and the orchards before their lovely, gentle old Collie dog joined us for the photoshoot.

A wonderful day and I was fortunate to be back in Shropshire a only a few weeks later for a very different kind of shoot, more of which in a later post.

Bradley Dreha for Dwell Magazine

When Bradley Dreha revamped his bedroom he decided to post before and after pictures on TikTok. The results were so good that San Francisco based design magazine Dwell got in touch to ask him for an interview.

Dwell then asked me to visit Bradley at his home in Walton, Merseyside to photograph him and his room for the latest issue of the magazine.

You can see more of Bradley’s work on Instagram @shitprints2

Dwell magazine can be found at dwell.com

Photographing Fran Millar: Cycling Leader and Former Team Ineos CEO for Rouleur Magazine

It was a great privilege to photograph Fran Millar, a highly respected leader in the world of cycling, for this month’s Rouleur magazine edition dedicated to celebrating women and cycling. The portrait session took place at her home and produced a striking editorial image that complements the feature on her career, influence, and impact.

Capturing a Moment at Home

The portrait session with Fran Millar took place in the relaxed and personal setting of her house, allowing me to create imagery that communicates both her leadership presence and her authentic personality. Photographing subjects in their own environment often produces more intimate, expressive portraits that feel real and engaging. The resulting photograph was so well received that Fran’s own mother, moved by the image, asked for a personal copy, describing it as one of the best portraits she had seen of her daughter.

Fran Millar’s Career in Cycling Leadership

Fran Millar’s career in professional cycling leadership spans more than two decades and includes pivotal roles at the highest levels of the sport. She was a founding member of Team Sky, working behind the scenes from the very beginning in 2009, and was instrumental in building the organisation’s operations, values, culture, and strategic direction. Her work with Team Sky helped lay the foundation for the team’s unprecedented success, contributing to multiple Tour de France victories and establishing one of the most dominant squads in modern cycling history.

In 2019, Millar was appointed Chief Executive Officer of Team Ineos, the successor to Team Sky after the change in ownership. In this role, she was responsible for leading the team’s operational, governance and engagement systems, ensuring continuity of performance and culture at the highest level of the sport. Her leadership was notable not just for the results but for the depth of her experience across business operations, internal ethics, team culture and strategic planning.

A Woman in a Leadership Role in Elite Sport

Fran Millar’s leadership at Team Ineos was significant not only because of the team’s performance on the road but because her role represented a prominent example of a woman leading at the very top of elite sport. Cycling, especially at the WorldTour level, has historically been male‑dominated, and Millar’s achievements helped expand the visibility of women in executive roles within the sport. Her appointment as CEO was widely recognised as a milestone that showcased how women can lead high‑performance teams, shaping organisational direction, culture and ambition at the highest level.

Beyond her work with Team Sky and Team Ineos, Millar went on to become CEO of the British heritage brand Belstaff in 2020, applying her leadership experience in cycling to the world of global fashion and lifestyle brands. Her tenure at Belstaff involved leading strategic change, driving cultural evolution and positioning the brand for renewed growth and relevance.

The Cycling Family Connection

Fran Millar’s connection to elite cycling also comes through her family. Her older brother is former professional cyclist David Millar, one of Britain’s most recognised riders with a long career in international road racing. David’s career included stage wins in major tours and a powerful presence in the sport over many years, making the Millar family name familiar to cycling enthusiasts around the world.

Portrait Photography that Complements a Powerful Story

Photographing Fran Millar in her home was not just about creating a single striking image for Rouleur magazine, but about capturing a visual narrative that complements her powerful professional story. By focusing on natural light, environment and expression, I was able to produce a portrait that feels both confident and personal, aligning with the editorial tone of the feature and celebrating her achievements.

From her foundational influence in Team Sky and Team Ineos to her leadership at Belstaff and beyond, Millar’s career reflects not only professional excellence but also the expanding role of women in sport leadership. The portrait produced for Rouleur magazine adds a compelling visual dimension to this narrative, providing readers with a genuine look at a leader whose impact resonates throughout the cycling world and beyond.

Rouleur can be found at www.rouleur.cc and @rouleurmagazine

50 Windows of Creativity. An assignment for Wild in Art

Seashell Trust & Lauren Mullarkey Location: The Atrium, Library Walk (mixed media installation)

This autumn, Manchester is hosting 50 Windows of Creativity, a showcase of the work of artists and makers displayed in a series of windows, venues, businesses and spaces across the city centre.

The displays feature multiple art forms from fine art and photography to ceramics, crafts, mosaics and murals curated by well-known and emerging artists and collectives – all with a connection to Greater Manchester.

Artists and makers taking part include: Wellcome Trust prize winner Benji Reid, Manchester born mixed media landscape artist Sarah Connell and contemporary creative studio Lazerian.

All pieces on display will be available to buy directly from the artist or maker, giving a much needed boost to the city’s creative community.

The project culminates with an auction which will see a selection of pieces auctioned with proceeds going to their artists and makers, and to The Lord Mayor of Manchester Charity Appeal Trust – We Love MCR Charity  which aims to help improve the lives and life chances of Manchester people.

It was a pleasure to work again with the wonderful Wild in Art after documenting their wildly successful 2018 Bee in the City project.

Find out more about Wild in Art at www.wildinart.co.uk

Phil Constable Location: Mackie Mayor, Coop Street

LeiMai LeMaow Location: On Yard and Coop, Hare St

Caroline Dowsett Location: Hatch, Unit 25, Oxford Road

MHHA - Manchester Hip Hop Archive Location: Royal Northern College of Music

Manchester Digital Music Archive Location: Royal Northern College of Music

Phil Constable Location: Mackie Mayor, Coop Street

LeiMai LeMaow Location: On Yard and Coop, Hare St

Hammo Location: Ellis Brigham Mountain Sports, Duke St

Atelier Bebop Location: Selfridges Exchange Square

Hammo Location: Ellis Brigham Mountain Sports, Duke St

LeiMai LeMaow Location: On Yard and Coop, Hare St

LeiMai LeMaow Location: On Yard and Coop, Hare St

Hammo Location: Ellis Brigham Mountain Sports, Duke St

Caroline Dowsett Location: Hatch, Unit 25, Oxford Road

Akse Location: Next to BAB NQ, Little Lever St

LeiMai LeMaow Location: On Yard and Coop, Hare St

LeiMai LeMaow Location: On Yard and Coop, Hare St

Tim Denton Location: Chapel Wharf, opposite Lowry Hotel

Benji Reid Location: National Football Museum

Phil Constable Location: Mackie Mayor, Coop Street

Hammo Location: Ellis Brigham Mountain Sports, Duke St

Caroline Dowsett Location: Hatch, Unit 25, Oxford Road

Ric Facchin Location: ChriSalon, Princess St

LeiMai LeMaow Location: On Yard and Coop, Hare St

Barnfather Wire for HTP Digital

Barnfather Wire Factory Photography | Industrial Wire Manufacturing in Wednesbury

I was commissioned by long‑time collaborators HTP Digital to photograph Barnfather Wire, the UK’s largest independent wire production company, for imagery to support the company’s new website. The assignment took place at Barnfather’s factory in Wednesbury, West Midlands, capturing the facility, production operations, and skilled workforce that make Barnfather a leader in the wire manufacturing industry.

About Barnfather Wire and Its Manufacturing Expertise

Barnfather Wire specialises in the production of high‑quality drawn wire products, serving a diverse customer base that includes blue‑chip companies supplying major global brands as well as small and medium British manufacturers. The company manufactures a wide range of wire types, including baling wire, bright mild steel, cut lengths, cold heading quality wire, galvanised wire, and bespoke wire solutions tailored to specific industrial needs.

The company’s state‑of‑the‑art facility and experienced team enable it to deliver reliable products that meet and often exceed industry standards. One notable achievement was supplying the wire used to create the stems for the ‘Blood Swept Lands and Seas of Red’ Tower of London poppy installation, demonstrating both production capacity and technical quality.

In recent years Barnfather Wire has invested in advanced machinery, including high‑speed precision drawing equipment, expanding production capacity and reinforcing its position as a leading wire producer in the UK and Europe.

Industrial Photography at Barnfather Wire

Photographing industrial environments like the Barnfather Wire factory involves more than simply documenting machines. The images capture the scale of operations, the precision of manufacturing processes, and the human skill that drives production. By including shots of raw materials, machinery, production lines, and operators at work, the photography provides a visual narrative of what makes the company’s output reliable and high quality.

These photographs can be used across Barnfather Wire’s new corporate website, in marketing materials, sales brochures, technical documentation, industry catalogues, and investor communications, helping customers and partners understand the company’s capabilities at a glance.

The Importance of Industrial Photography for Manufacturers

Industrial photography plays a critical role in how modern manufacturers present themselves online and in print. Quality images allow companies to visually communicate professionalism, facility standards, production processes, and workforce expertise. Showing the operations behind the products helps build trust with potential customers who need assurance about quality and capability before entering into commercial relationships.

Well‑executed industrial imagery also strengthens brand identity by humanising the business, showing the people behind the products and the environments where engineering and manufacturing happen. When customers see detailed and authentic visuals of a factory floor or production line, it can reinforce the perception of quality and transparency, helping differentiate a manufacturer in a competitive market.

Beyond websites, these photographs can be leveraged across marketing channels including social media, trade show displays, printed catalogues, press releases, and corporate reports. Consistent, high‑quality visuals increase engagement and support brand recognition across digital and offline platforms.

Creating a Visual Narrative for Customers and Partners

For businesses like Barnfather Wire, industrial photography provides visual proof of technical expertise, production capability, and operational scale. Detailed images of machines in action, technicians at work, and finished products help prospective clients quickly assess whether the company meets their requirements. High‑quality photography is a tool that supports sales, improves engagement, and reinforces credibility with customers, suppliers, and partners alike.

Phoenix Healthcare distribution for Fagan Jones

Pharmaceutical Facility Photography in Preston Brook | Automated Drug Distribution and Logistics

I was commissioned to photograph a high-technology pharmaceutical distribution facility in Preston Brook on behalf of the film production company Fagan Jones. The shoot was organised by producer Vicky at Fagan Jones, and I was working alongside the exceptionally talented cinematographer Dan Lightening, who was filming moving footage for the same project.

My role on the day was to create a set of still photographs documenting the scale, infrastructure and day-to-day operations of the site. These images would complement the film production while also providing a visual record of the facility for marketing, communications and corporate use.

Inside a High-Technology Pharmaceutical Logistics Facility

The distribution centre in Preston Brook is an impressive example of the level of automation now present in modern pharmaceutical logistics. Within the facility, miles of robotised and computer-controlled conveyor systems move medicines through a carefully designed network of routes. These automated systems pick, sort and pack drugs before they are dispatched to pharmacies across the UK.

From a photographic perspective the site offered a remarkable environment to document. Long corridors of conveyors run through the building, with automated picking machines selecting products at speed before they are routed through packing stations. Containers glide through the system in a constant flow, guided by computerised logistics software that ensures the correct medication reaches the correct destination.

Facilities like this are essential parts of the national healthcare supply chain. The efficiency and reliability of the logistics systems ensure that pharmacies and healthcare providers receive the medicines they need quickly and accurately. Photographing such environments provides a glimpse into the highly organised infrastructure that underpins pharmaceutical distribution.

Photographing Automation, Robotics and Industrial Systems

Industrial photography in environments like this requires a combination of wide architectural views and detailed documentary images. Wide photographs show the scale of the operation, with long lines of conveyors stretching across large warehouse spaces. These images help communicate the sheer size of the facility and the complexity of the logistics network.

At the same time, close-up photographs reveal the precision of the machinery involved. Sensors, scanners and robotic arms guide containers along the system, while packing stations assemble shipments ready for distribution. Capturing these smaller details helps explain the process visually, showing how individual components of the system work together to form a seamless operation.

Lighting conditions in large industrial buildings can also present interesting challenges. High ceilings, mixed light sources and moving machinery require careful attention to exposure and timing in order to produce clear and dynamic images.

Stills Photography Alongside a Film Production

One of the most enjoyable aspects of the commission was working alongside a film crew. While Dan Lightening focused on capturing cinematic footage of the logistics process, my role was to produce still images that documented the same environment from a complementary perspective.

Working in parallel with a film crew requires a degree of coordination. Film productions often involve lighting setups, rehearsed camera movements and multiple takes, whereas still photography typically requires more mobility in order to capture spontaneous moments. The aim is always to work collaboratively so that both the stills and the moving images can be produced efficiently without interrupting the workflow of the facility itself.

Photographs created during these types of productions are often used in a wide range of contexts, including websites, press releases, annual reports and promotional material. They provide organisations with a visual record of the project that can be used long after the filming itself has been completed.

Documenting the Scale of Modern Logistics

Large automated facilities like the one at Preston Brook are fascinating places to photograph because they combine architecture, engineering and human expertise. Despite the high level of automation, the site is still supported by skilled staff who oversee the systems, monitor quality control and ensure that everything runs smoothly.

Capturing both the human and technological aspects of the environment helps create a more complete narrative of how the facility operates. Images of staff interacting with the machinery, monitoring computer systems or managing packaging operations provide context to the vast automated infrastructure surrounding them.

The visual rhythm of the conveyors, the repetition of containers moving through the system and the geometric lines of the machinery all contribute to a distinctive aesthetic that is unique to industrial and logistics photography.

A Fast-Moving Day on Location

Facilities of this scale are rarely static environments. Conveyors are constantly moving, robots are continuously sorting products, and staff are working across different areas of the building to keep operations running smoothly. For a photographer, this means covering a significant amount of ground in a limited amount of time in order to capture the full story of the site.

By the end of the day it was clear that running shoes should probably be considered essential equipment for photographers working in environments like this. Moving quickly between different areas of the facility, keeping pace with both the film crew and the production schedule, makes for a busy but very rewarding assignment.

Documenting the combination of advanced technology, logistics infrastructure and human expertise that keeps a pharmaceutical distribution centre operating is always fascinating. It also offers a reminder of the enormous systems working behind the scenes to ensure medicines reach pharmacies and patients across the country.

BeClear Orthodontics for What Marketing

BeClear Orthodontics Cosmetic Dentistry Photography and Campaign Shoot

During the quieter months of the coronavirus-disrupted summer, I had the pleasure of working with What Marketing on a photography and video campaign for BeClear Orthodontics, a leading cosmetic dentist specialising in Invisalign teeth aligners. The shoot offered a unique opportunity to document the precision, care, and aesthetic results that make BeClear’s services stand out.

Capturing Invisalign and Cosmetic Dentistry

BeClear Orthodontics are specialists in Invisalign aligners, designed to be almost invisible, even in extreme close-up shots. The campaign required detailed photography that could showcase the effectiveness of the aligners while maintaining a natural and approachable aesthetic for potential patients. Capturing these subtle details required careful lighting, angles, and technical precision.

Adapting to Covid-19 Safety Protocols

This was my first shoot following social distancing and mask-wearing protocols. These measures presented a challenge for everyone on set, from models to the creative team, but the day ran smoothly. Photography and video were completed successfully, balancing safety with high-quality visual content for the campaign.

Collaboration with Models and Marketing Team

The campaign shoot involved several models and close collaboration with the BeClear Orthodontics team. Their professionalism and enthusiasm helped ensure that the photography captured the natural confidence and satisfaction that comes with Invisalign treatment. Working with What Marketing on this project was an enjoyable experience, and I’m looking forward to the next campaign shoot scheduled for October.

Highlighting Cosmetic Dentistry in Campaigns

Professional photography for dental and cosmetic services plays an important role in marketing. Images need to convey precision, trust, and aesthetic outcomes while appealing to potential patients. The BeClear Orthodontics campaign highlights the company’s expertise and commitment to subtle, effective dental treatments, positioning them as a leading provider of Invisalign in the UK.

Mark Radcliffe for the Daily Telegraph

Portrait of Mark Radcliffe at Dunham Massey | Daily Telegraph Motoring Feature

While going through old hard drives recently I came across another set of photographs from an earlier editorial commission. The images feature broadcaster and writer Mark Radcliffe, photographed at Dunham Massey Country Park in Cheshire for a motoring feature in the Daily Telegraph.

Mark Radcliffe is exactly as you might expect from his radio persona: knowledgeable about music, quick-witted, a lifelong Manchester City supporter and generally an extremely good person to spend time with on a shoot. I have photographed him a couple of times over the years, and this particular session was for a feature pairing him with a beautifully restored vintage Volkswagen Beetle.

Mark Radcliffe: Broadcaster, Author and Music Journalist

Mark Radcliffe is well known in the UK for his long career in broadcasting, particularly on BBC Radio where he has presented a wide range of music programmes across several decades. Many listeners first encountered him through his partnership with Marc Riley on BBC Radio 1 in the 1990s, before Radcliffe went on to present programmes on BBC Radio 2 and BBC Radio 6 Music.

His work has always been characterised by a deep enthusiasm for music, ranging from alternative rock and indie through to folk and country. In addition to broadcasting, Radcliffe is also a writer and musician, contributing regularly to publications and performing with his folk group The Shirehorses.

Because of this long-standing role in British music broadcasting, he remains a familiar and well-liked figure to audiences across the UK. Photographing personalities like Radcliffe is often straightforward because their ease in conversation translates naturally into relaxed portraits.

Editorial Portrait Photography for Newspapers

This portrait session took place at Dunham Massey Country Park in Cheshire, a location that provided an appropriate rural backdrop for the Daily Telegraph’s motoring feature. Editorial portrait photography for newspapers often involves finding a setting that complements the theme of the article while still allowing the subject’s personality to come through.

The vintage Volkswagen Beetle featured in the piece added a strong visual element to the shoot, combining classic automotive design with a relaxed outdoor location. Working with well-known public figures in this kind of editorial context requires balancing documentary observation with informal portraiture, capturing both the person and the environment in which the story is set.

Photographing Personalities for Editorial Features

Portrait photography for editorial publications often moves quickly, with limited time to establish rapport and create images that work both visually and narratively. When the subject is comfortable and engaged, the process becomes much easier, allowing the photographer to focus on composition, light and atmosphere.

In this case, the combination of a distinctive car, an attractive location in Cheshire and an engaging subject made for an enjoyable shoot and a memorable commission for the Daily Telegraph.

Vietnam

People relaxing on their Honda’s outside St. Joseph’s cathedral, Hanoi

Capturing Vietnam: Travel Photography of Vietnamese Culture and Streets

As an English freelance photographer, I’ve traveled extensively, but Vietnam presented a vibrant, dynamic environment unlike anywhere else. From the bustling streets of Hanoi to the peaceful coastline of An Bang Beach, each location offered a striking window into Vietnamese life, culture, and daily routines. The intensity of the cities and the tranquility of rural landscapes provided a rich visual narrative that I was eager to capture.

Members of the Vietnamese Army gathered for a dinner at the Vietnamese Military History Museum in Hanoi. I found later that it’s eerily reminiscent of this http://bit.ly/2PFwOiI from my visit to Beijing a few years ago.

Street Life and Urban Chaos in Hanoi

Hanoi’s streets are alive with energy, from the honking motorbikes weaving through crowded intersections to the street vendors selling local delicacies. Capturing urban life in Vietnam required a careful balance of timing, perspective, and attention to detail. Photography in this environment revealed not only the chaos but also the rhythms, relationships, and traditions that define Hanoi’s unique character.

A man photographs the now famous MiG-21 at the Vietnamese Military History Museum in Hanoi.

Cultural Heritage and Daily Life

Beyond the streets, Vietnam’s culture is visible in its architecture, markets, temples, and homes. Each neighborhood tells a story of community, history, and resilience. Through photography, I was able to document artisans at work, families engaged in daily routines, and cultural ceremonies, illustrating both tradition and the modern vibrancy of Vietnamese society.

The elegantly decaying cockpit of a captured United States Huey helicopter

Coastal Serenity and Rural Landscapes

Traveling from the city to the coast, locations such as An Bang Beach offered a contrast to the urban intensity. The calm beaches, fishing villages, and rural landscapes allowed for reflective, scenic photography that captures the slower pace of life. These settings provide a complementary perspective to the energetic streets of Hanoi, highlighting Vietnam’s diversity and natural beauty.

The Hanoi skyline

Photography as Storytelling in Vietnam

Vietnam is a photographer’s dream: the contrasts between urban chaos and coastal calm, modern life and traditional practices, provide endless opportunities for storytelling. Documenting the country required a mix of environmental portraits, street photography, and landscape work, creating a cohesive visual journey that communicates the spirit of Vietnam.

A woman sells clothes in a night market at Hàng Bè in central Hanoi.

The Allure of Hanoi

Hanoi, the capital city, was my first stop. Stepping off the plane, I was immediately hit by the warm, humid air and the symphony of honking scooters and chatter that filled the streets. The city buzzed with life, and I knew I was in for an adventure. As I wandered through the Old Quarter, my camera was glued to my face, capturing the narrow alleyways, the chaotic mix of colonial architecture, and the street vendors who seemed to emerge from every corner.

One of my favorite memories from Hanoi was capturing the street food culture. I watched as locals prepared dishes in makeshift kitchens on the sidewalks. The aroma of grilled meats and fresh herbs wafted through the air, drawing me closer. I couldn't resist trying pho from a small stall run by an elderly woman who smiled warmly as she ladled broth into a bowl. The experience was transformative; I felt as if I had tasted the heart of Vietnamese cuisine.

A woman washes in the river in Tam Cốc-Bích Động

Despite the city's charm, navigating the streets was a daunting experience. The sheer number of motorbikes zipping past made crossing the road feel like a high-stakes game. I watched in awe as locals seemed to glide through the traffic, their movements fluid and confident. Meanwhile, I hesitated, clutching my camera as I waited for a gap in the chaos.

This guy appeared to be chopping up a monster in Tam Cốc-Bích Động. I later discovered it was a goat and realised were the Baphomet mythology comes from. I like the matching under bites of man and beast.

The Scary Bus Rides

After a few days, it was time to venture beyond Hanoi. I boarded a sleeper bus heading to Tam Coc, and the adventure took a turn I hadn’t anticipated. The bus driver, a seemingly fearless man in his 30s, sped down the winding roads with a reckless abandon that left my heart racing. With each sharp turn, I clutched my seat, whispering silent prayers. I managed to snap a few photos of the breathtaking landscapes outside the window, but the sheer terror of the ride overshadowed my artistic intentions.

A scene familiar the world over that always seems worth a photograph. Note the still very popular in Vietnam pith helmet and the ubiquitous scooters.

When we finally arrived in Tam Coc, I was greeted by stunning limestone karsts rising majestically from the rice paddies. The landscape felt like a painting come to life, and I quickly set out to capture its beauty. A boat ride along the river revealed views that were straight out of a dream. I photographed local rowers navigating the tranquil waters, their movements graceful against the backdrop of towering cliffs.

Tam Cốc-Bích Động is a backpackers haven at some times of the year. Here one of the two bus bars opposite the lake.

A Culinary Detour in Hue

From Tam Coc, we made a brief stop in Hue. While my time there was short, it was not without its highlights. After changing buses, I took the opportunity to seek out the famed Bun Bo Hue—a spicy beef noodle soup that is a local specialty. I found a bustling little eatery filled with locals, the air thick with the scent of herbs and spices.

And in the lake the local kids who swim here every night another picture that reminded me of a shot from China http://bit.ly/38T4rW0

As I savoured each spoonful, I captured the vibrant colours and textures of the dish, the glistening broth swirling with greens and tender beef. It was a simple meal that resonated deeply, embodying the essence of Vietnamese culinary culture.

Young Vietnamese man playing pool in one of the nearly empty backpacker bars of Tam Cốc. Vietnam is a country completely enamoured by counterfeit designer wear and these boys didn’t disappoint.

Da Nang: A City of Contrasts

Next on my journey was Da Nang, a city that struck me as a blend of modernity and tradition. Here, I explored the Dragon Bridge and the stunning beaches that lined the coastline. The juxtaposition of skyscrapers against the natural beauty of the sea was captivating.

Forgive me for the sunset shot. The limestone karsts emerging from an otherwise billiard flat plateau define the geology of much of Vietnam most famously at Halong Bay. The area around Tam Cốc is an inland version with rice paddys covering the water for much of the year.

While in Da Nang, I discovered a thriving street food scene. I encountered vendors selling banh mi, the beloved Vietnamese sandwich that is as varied as it is delicious. I snapped photos of the colorful ingredients piled high—crunchy pickled vegetables, savory meats, and fresh herbs. Each bite was an explosion of flavor, and I felt a rush of excitement as I documented the culinary artistry before me.

A woman cleans part of the absolutely vast Bái Đính Buddhist Temple in Ninh Bình Province

Hoi An: A Photographer’s Paradise

Just a short journey from Da Nang is Hoi An, a UNESCO World Heritage site renowned for its well-preserved ancient town. The moment I arrived, I knew I had stumbled into a photographer’s paradise. The streets were lined with yellow-hued buildings, their facades adorned with vibrant lanterns that seemed to glow in the soft evening light.

Vietnam is the home of the face mask and the spiritual home of Chanel.

I spent hours wandering the narrow alleyways, capturing the intimate moments of daily life—vendors preparing their goods, children playing in the streets, and couples sharing quiet moments along the riverside. Hoi An’s charm was intoxicating, and I found myself lost in the magic of it all.

Book keeping at the market in Hoi An

I also made my way to An Bang Beach, just a short bike ride from the town center. The beach was a breathtaking escape, with soft sand and azure waters. Here, I captured the juxtaposition of relaxation and the vibrant energy of beachgoers enjoying their day. The sun dipped below the horizon, casting a golden hue over the scene, and I felt a sense of fulfillment as I clicked away, the light perfectly framing my subjects.

Shoppers in Hoi An market

Quy Nhon and Bai Xep: Hidden Gems

Continuing my journey, I ventured to Quy Nhon and Bai Xep, two coastal towns that felt like hidden gems. In Quy Nhon, I found a more laid-back atmosphere compared to the bustling cities. The beaches were less crowded, allowing me to connect with the local culture on a deeper level. I photographed fishermen mending their nets, their weathered faces telling stories of hard work and dedication.

Motorcycling wear in Vietnam is the best I’ve seen anywhere.

At Bai Xep, I discovered a tranquil setting that felt worlds away from the frenetic energy of Hanoi. The beach was dotted with traditional fishing boats, their bright colors contrasting beautifully with the sandy shore. I spent my days capturing the idyllic scenery and the simple joys of life along the coast.

Probably the final journey before this guy becomes Pho Ga

One evening, as I watched the sun set over the horizon, I reflected on the journey thus far. My experiences had deepened my appreciation for Vietnamese culture, particularly its resilience and warmth.

Relaxing in Hoi An

The Return Journey

As I prepared to leave Vietnam, I couldn’t help but feel a sense of nostalgia wash over me. The bus rides, though often harrowing, had become part of the adventure, a reminder of the unpredictability of travel. The street food, with its incredible flavors and colors, had fueled my passion for photography and storytelling.

The outdoor fan is an absolute necessity for any restaurant hoping to attract custom.

I returned home with a treasure trove of images, each one a testament to the beauty and complexity of Vietnam. My camera had captured not just landscapes and meals, but the spirit of the people I met along the way.

A typical traffic jam in Da Nang. Everyone rides.

In sharing my journey, I hope to convey the essence of Vietnam: a land of contrasts, where chaos meets tranquility, and tradition dances with modernity. My adventure was more than just a trip; it was a deeply transformative experience that will continue to inspire my work as a photographer.

Even though the machines are incredibly reliable, Vietnamese Honda mechanics are rarely out of work due to the vast numbers on the roads. Here are young man waits for a street corner mechanic to mend his bike in Da Nang.

Vietnam, with its captivating streets and tantalizing food, has etched itself into my memory—a destination I will cherish and revisit through my lens for years to come.

Street food vendors in Da Nang. Everything you’ve heard is true, this is how to eat the best food in Vietnam. My highlight was a bowl of Bun Cha eaten knees round ears in a garage entrance with motorbikes whizzing by. Unimprovable.

One of the most stylish people I’ve seen this year. In Qui Nhon in the centre of the country.

At night in Qui Nhon

A very typical view down an alley in Hoi An.

Seamstresses work late in the night in Da Nang.

Another great Hanoi Bun Cha spot. The people get bigger the chairs don’t.

A man and his dog in Hanoi.

A typical side street motorcycle mechanic/valet service in Hanoi

The street food essentials, outdoor fan, low plastic tables, beautiful sunlight.

Aaron Heinzelmann of Assa Abloy for Off the Wall, Stockholm

Aaron Heinzelmann Hero Award Photography for Assa Abloy

I recently photographed Aaron Heinzelmann of Assa Abloy for Swedish agency Off the Wall, Stockholm, documenting his recognition as a workplace hero for a feature in the company magazine. Aaron was awarded a hero accolade after coming to the aid of a mother and her seriously ill daughter while at work, demonstrating quick thinking, compassion, and professionalism.

Capturing a Workplace Hero

The shoot aimed to capture Aaron Heinzelmann both as an employee of Assa Abloy and as an individual recognised for his bravery. Photography included portraits, environmental shots, and a behind-the-scenes image used for the rear cover of the magazine. The shoot was collaborative, with Aaron’s uncle Dave assisting as second camera, providing additional perspectives to tell the story.

Working with Off the Wall, Stockholm

The commission was managed by the creative team at Off the Wall in Stockholm, who ensured the photography aligned with Assa Abloy’s corporate communications and magazine style. Collaborating with the agency allowed for a smooth workflow and a visually engaging representation of Aaron’s achievement, highlighting both personal narrative and professional context.

Employee recognition photography of Aaron Heinzelmann at Assa Abloy

Portrait of Aaron Heinzelmann during Assa Abloy feature shoot

Workplace photography documenting heroic actions of Aaron Heinzelmann

Assa Abloy employee feature photography in Kenn, North Somerset

Aaron Heinzelmann featured in corporate storytelling for Assa Abloy

Photography capturing heroic employee recognition at Assa Abloy

Environmental portrait of Aaron Heinzelmann for company magazine

Corporate feature photography highlighting heroic actions of staff

Aaron Heinzelmann photographed for Assa Abloy hero award feature

Behind-the-scenes photography with second camera support

On Location in North Somerset

The shoot took place in Kenn, North Somerset. Preparation included an overnight stay in a holiday cottage and a stop for tea on the seafront at Clevedon before the drive north. Capturing environmental context adds depth to the story, connecting the heroic actions of Aaron Heinzelmann to the locations where they occurred.

About Assa Abloy and Employee Recognition

Assa Abloy is a global leader in door opening solutions and security technology. The company regularly features staff achievements in its magazine, showcasing examples of initiative, care, and dedication. Photography plays an important role in this, highlighting individuals like Aaron Heinzelmann and reinforcing the company’s culture of recognition, safety, and service excellence.

Francis Lung for Scandinavian Airlines

Francis Lung Portrait Photography in Manchester

I recently photographed Francis Lung, solo musician and former member of the Manchester band Wu Lyf, for Scandinavian Airlines. The shoot focused on capturing Francis’ personality and musical presence in locations he recommends around Manchester.

Portraits at Yes and Other Manchester Locations

The portraits were taken at the venue and club Yes, one of Francis’ preferred spots in the city. The shoot combined casual and posed portraits to reflect Francis’ style, energy, and connection to the Manchester music and cultural scene.

Additional locations included the arts centre Home, the Japanese restaurant Yuzu, the Whitworth Art Gallery, and This & That, a personal favourite of mine.

Showcasing Manchester’s Music and Cultural Scene

Francis Lung’s recommendations highlight some of Manchester’s most vibrant cultural locations. By photographing him in these spaces, the shoot documents both the musician and the city, capturing the interplay between artistic identity and the urban environment. Locations like Yes and Home are central to Manchester’s creative and music culture, while restaurants and galleries like Yuzu, This & That, and the Whitworth provide context to the lifestyle and local engagement of artists.

Collaborating with Scandinavian Airlines

Scandinavian Airlines commissioned the shoot to showcase Francis Lung’s insights into Manchester and to highlight the city’s music, art, and culinary offerings. Photography plays a key role in storytelling, presenting both the artist and the locations in a way that connects audiences to the experience of visiting Manchester.